Metal Mark of SkullsNBones.com conducted an interview with guitarist/vocalist Adam “Nergal” Darski of Polish extreme metallersBEHEMOTH aboard Barge To Hell — the world’s most extreme metal cruise — which sailed Monday, December 3, 2012 from Miami, Florida to Nassau, Bahamas and returned to the real world on Friday, December 7. Check out the chat below.
Asked about the progress of the songwriting sessions for BEHEMOTH‘s next album, Nergal said: “We’re in writing mode, and we’re doing this [cruise] more or less as a vacation, js tto get us out of the writing [environment]. But even yesterday, before the show, I was fucking around with my guitar and jamming out and shit. I came up with… I really think this riff is gonna end up on the record; it’s gonna make its way to the record. So I’m really thinking about my record. I’m dreaming my record, I’m eating my record, I’m shitting my record… I mean, everything just comes to the same thing: this artistic release that’s gonna take place in the fall next year. That’s the plan. We already made a rough plan. We should be entering the studio in late February. We’re demoing stuff now. It’s actually a rehearsal studio. So this is a thing we’ve never done before: we get into the studio, we set up the equipment, and we just play. And we record stuff. So it’s very creative. It’s new and it’s different energy, too. I mean, we still use our rehearsal room, but it’s good to change the environment. And then in January and February, we decided to move to Warsaw to work on the record. It should be very stimulating; this change of rooms and change of cities, it can be very stimulating. But we’ve got plenty of stuff written already; I’m guessing 30 or 40 minutes of music is done. But I keep on writing. I’m so hyped and I’m so into delivering new stuff. I have this thought: every time I come up with a new theme or a new song idea, I think it’s actually better than the one before. So I hope that this process stops at a certain point and I’m, like, ‘OK, over. This is it. We’re working on this bunch of songs and that’s it.’ Because this way I can go on forever.”
In an April 2012 interview with Metal Blast, Nergal offered more information about BEHEMOTH‘s mindset going into the next album. “We want to take our time and not rush ourselves in any way,” he said. “It looks like it might be the most important album in our career. I want to make the most honest record and I won’t be bending to anyone’s rules or expectations, including [BEHEMOTH‘s record labels] Metal Blade orNuclear Blast. Every next BEHEMOTH album is a surprise and is never the same. . . We don’t want to stress ourselves because the music business and the direction it takes is not as I would like it to be. That means we will be going against the current again and just do as we will and please. Whatever we do is going to be BEHEMOTH, 100%. It is the state of our will and nobody can deny it. I can tell you that we aren’t going to come out with a reggae or country album; it’s going to beBEHEMOTH, it’s going to be extreme. But don’t be surprised if people listened to it and said, ‘Fuck, they did it. It’s so amazing.’ [laughs] That’s what I like to say when I listen to my own music. I love to surprise myself. I hate things that are predictable. I want to surprise myself and surprise other people, as well. . . Don’t get me wrong, I am a huge AC/DC fan and I expect AC/DC to be AC/DC, but don’t expect BEHEMOTH to put out another ‘The Apostasy’, ‘Demigod’ or ‘Evangelion’ album, because that will not happen.”
BEHEMOTH‘s ninth full-length studio album, “Evangelion”, sold 8,500 copies in the United States in its first week of release to debut at position No. 56 on The Billboard 200 chart. Released in the U.S. in August 2009 through Metal Blade, the CD was mixed at Miloco Studios in London, England by Colin Richardson, who has previously worked with MACHINE HEAD, SLIPKNOT, NAPALM DEATH and BULLET FOR MY VALENTINE, among many others.
Reactivated British extreme metal pioneers CARCASS will release a new single, “Captive Bolt Pistol”, on August 9. The track comes off the band’s comeback album, “Surgical Steel”, which will be made available on September 16 in the U.K., September 13 in the rest of Europe and September 17 in North America via Nuclear Blast Records. The effort was produced by Colin Richardson (FEAR FACTORY, MACHINE HEAD,NAPALM DEATH, SLIPKNOT, BULLET FOR MY VALENTINE) and mixed byAndy Sneap (MEGADETH, ACCEPT, EXODUS, ARCH ENEMY).
Joining guitarist Bill Steer and bassist/vocalist Jeff Walker in CARCASS’ current incarnation are new drummer Dan Wilding (ABORTED, TRIGGER THE BLOODSHED) and guitarist Ben Ash (PIG IRON, DESOLATION,LIQUEFIED SKELETON).
CARCASS’ first studio LP since 1996’s “Swansong” will feature guest vocals
The official lyric video for the new SOULFLY song “Bloodshed” can be seen below. The track features a guest appearance by SOULFLY mainmanMax Cavalera’s son Igor Cavalera (of LODY KONG).
Comments Max: “The song is about the absurdity of the human condition in territories plagued by bloodshed all over the world. Not just recent events like Iraq, but also historical conflicts such as the U.S. Civil War, World Wars I and II, etc.”
“Bloodshed” comes off SOULFLY’s ninth album, “Savages”, which will be released on October 4 via the band’s new label home, Nuclear Blast Entertainment. The CD was produced by Terry Date, who is known for his work with such acts as PANTERA, DEFTONES and SOUNDGARDEN, among many others. Additional guest vocal appearances on “Savages”include SOULFLY bass player Tony Campos, CLUTCH’s Neil Fallon,NAPALM DEATH’s Mitch Harris and Jamie Hanks of I DECLARE WAR.
“Savages” will be released as a limited-edition digpack CD, 2LP vinyl and digital download.
“Savages” track listing:
01. Bloodshed (feat. Igor Cavalera)
02. Cannibal Holocaust
03. Fallen (feat. Jamie Hanks)
04. Ayatollah Of Rock ‘N’ Rolla (feat. Neil Fallon)
05. Master Of Savagery
07. This Is Violence
08. K.C.S. (feat. Mitch Harris)
09. El Comegente (feat. Tony Campos)
Limited-edition CD and 2LP vinyl bonus tracks:
11. Fuck Reality
12. Soulfly IX
The cover artwork for “Savages” was created by renowned artist Paul Stottler, who is best known for his work on SACRED REICH’s legendary”Surf Nicaragua” cover.
Date previously mixed SOULFLY’s “3” (2002), “Prophecy” (2004) and”Dark Ages” (2005) albums, but had never produced any of the group’s CDs.
The drum tracks on the new SOULFLY CD were laid down by Max’s 21-year-old son, Zyon Cavalera, who joined the band as its touring drummer for its recent rampage through North America.
Zyon previously played with SOULFLY during the band’s tour of Brazil in February 2012.