Metal Mark of SkullsNBones.com conducted an interview with guitarist/vocalist Adam “Nergal” Darski of Polish extreme metallersBEHEMOTH aboard Barge To Hell — the world’s most extreme metal cruise — which sailed Monday, December 3, 2012 from Miami, Florida to Nassau, Bahamas and returned to the real world on Friday, December 7. Check out the chat below.
Asked about the progress of the songwriting sessions for BEHEMOTH‘s next album, Nergal said: “We’re in writing mode, and we’re doing this [cruise] more or less as a vacation, js tto get us out of the writing [environment]. But even yesterday, before the show, I was fucking around with my guitar and jamming out and shit. I came up with… I really think this riff is gonna end up on the record; it’s gonna make its way to the record. So I’m really thinking about my record. I’m dreaming my record, I’m eating my record, I’m shitting my record… I mean, everything just comes to the same thing: this artistic release that’s gonna take place in the fall next year. That’s the plan. We already made a rough plan. We should be entering the studio in late February. We’re demoing stuff now. It’s actually a rehearsal studio. So this is a thing we’ve never done before: we get into the studio, we set up the equipment, and we just play. And we record stuff. So it’s very creative. It’s new and it’s different energy, too. I mean, we still use our rehearsal room, but it’s good to change the environment. And then in January and February, we decided to move to Warsaw to work on the record. It should be very stimulating; this change of rooms and change of cities, it can be very stimulating. But we’ve got plenty of stuff written already; I’m guessing 30 or 40 minutes of music is done. But I keep on writing. I’m so hyped and I’m so into delivering new stuff. I have this thought: every time I come up with a new theme or a new song idea, I think it’s actually better than the one before. So I hope that this process stops at a certain point and I’m, like, ‘OK, over. This is it. We’re working on this bunch of songs and that’s it.’ Because this way I can go on forever.”
In an April 2012 interview with Metal Blast, Nergal offered more information about BEHEMOTH‘s mindset going into the next album. “We want to take our time and not rush ourselves in any way,” he said. “It looks like it might be the most important album in our career. I want to make the most honest record and I won’t be bending to anyone’s rules or expectations, including [BEHEMOTH‘s record labels] Metal Blade orNuclear Blast. Every next BEHEMOTH album is a surprise and is never the same. . . We don’t want to stress ourselves because the music business and the direction it takes is not as I would like it to be. That means we will be going against the current again and just do as we will and please. Whatever we do is going to be BEHEMOTH, 100%. It is the state of our will and nobody can deny it. I can tell you that we aren’t going to come out with a reggae or country album; it’s going to beBEHEMOTH, it’s going to be extreme. But don’t be surprised if people listened to it and said, ‘Fuck, they did it. It’s so amazing.’ [laughs] That’s what I like to say when I listen to my own music. I love to surprise myself. I hate things that are predictable. I want to surprise myself and surprise other people, as well. . . Don’t get me wrong, I am a huge AC/DC fan and I expect AC/DC to be AC/DC, but don’t expect BEHEMOTH to put out another ‘The Apostasy’, ‘Demigod’ or ‘Evangelion’ album, because that will not happen.”
BEHEMOTH‘s ninth full-length studio album, “Evangelion”, sold 8,500 copies in the United States in its first week of release to debut at position No. 56 on The Billboard 200 chart. Released in the U.S. in August 2009 through Metal Blade, the CD was mixed at Miloco Studios in London, England by Colin Richardson, who has previously worked with MACHINE HEAD, SLIPKNOT, NAPALM DEATH and BULLET FOR MY VALENTINE, among many others.
SEPULTURA members Derrick Green (vocals) and Andreas Kisser (guitar) joined KORN on stage last night (Saturday, October 19) to perform SEPULTURA’s classic song “Roots Blooody Roots”. Professionally filmed video footage of their appearance can be seen below (Note: Skip to around 47-minute mark.) Green wrote on Facebook afterwards: “What a cool surprise tonight rocking out ‘Roots Bloody Roots’ with KORN!! Too much fun!!”
KORN singer Jonathan Davis was featured as a guest on the track “Lookaway” — along withMike Patton of FAITH NO MORE — on SEPULTURA’s 1996 album “Roots”.
Speaking to ARTISTdirect, former SEPULTURA frontman Max Cavalera stated about the recording sessions for “Lookaway”: “Mike Patton was on the song, and Jonathan’s a hugeFAITH NO MORE fan. He was actually freaking out that Patton was there. He was really nervous, which was actually kind of funny. He kept chewing on his hair the whole time he was in the studio. [Producer] Ross Robinson teased him at one point and told him to calm down. [laughs]”
He continued: “‘Lookaway’ came out of a jam. It’s a really heavy riff. Patton started singing this Indian chant, and it gave me goosebumps in the studio when he did that. It was so intense. He showed up in the studio with a Samsonite briefcase. I was like, ‘Mike, what’s up with the briefcase?’ He said, ‘It’s what I need to record.’ It had an echo pedal inside for his voice and a bottle of wine. He opened the wine and we drank it. At one point, the three of us were on the floor of the studio going crazy and making weird noises and sounds! Jonathantook it to another level. He’s singing about people with a fear of pussy, which is a crazy concept. It came out as a really cool, obscure song on ‘Roots’.”