"Magic Mountain", the fourth album from Kentucky rockers BLACK STONE CHERRY, entered the official chart in the United Kingdom at position No. 5. The CD was released in North America on May 6 (one day earlier internationally) via Roadrunner Records.
It’s been numerous times that British heavy metallers (as they like to declare themselves) Orange Goblin have visited our country and this time they came short enough compared to their last year gig. Once again we had a tremendous professional behaviour towards the fans and I was very happy to see many new young fans entering the show. A sample that the youth of today find quality in the really essential bands and don’t get affected by the hype of the era or the needless effort of media to promote bands that don’t deserve it at all. This time we also had a very good support band that made its presence more than notable and the whole show finished just two hours after its beginning in half past nine, so everyone had easy access to transportation and left more than satisfied.
Stonebringer is a Greek band that plays the American style of sludgy heavy rocking metal music and they are surely showing they are proud of it. Two guitarists that also share the vocals and bang their asses and heads, a bassist that follows them where needed and also can’t stand still even for a second and a crazy but also very capable drummer that hits everything hard and loud is what you’ll see in this band. I apologize to the guys for not knowing them so far, but I really declare myself a fan of them and I suggest everyone who encounters them in the future to take a good notice of them (and buy one of their very elegant t-shirts as well). Imagine a mixture of Pantera, Crowbar, Down, some Clutch (or even Orange Goblin) here and there and hints of Black Label Society. Music for beer, beards, filth and riffs until the end. Well done to the guys, who gave all they had and gained the sincere applause of the crowd. I wish them the best to come.
Orange Goblin is a live guarantee every time you see them. The result is always the same (if not better) and the only thing that changes is the t-shirts the band members wear and the amount of beard they carry. When a gig starts with ‘’Scorpionica’’ which is most times the last track they play, you understand they came to conquer everyone from the first second. It was show number 147 for this year as they said, but they didn’t show any sign of tiredness or lack of fun. With tracks such as ‘’Acid Trial’’, ‘’Saruman’s Wish’’, ‘’Round Up The Horses’’ and ‘’The Fog’’,
DISTURBED and DEVICE singer David Draiman spoke to Revolt TV about the controversy surrounding the latest issue of Rolling Stone magazine which features a cover photo of the Boston Marathon bombing suspectDzhokhar "Jahar" Tsarnaev. You can now watch the chat below.
Critics have accused the magazine of glorifying Tsarnaev like a rock star by depicting him in the same light as a young Bob Dylan or Jim Morrison.
On what his first reaction upon learning of the Rolling Stone's "The Bomber" cover:
Draiman: "Disgust. Aberration. Anger. Resentment. Shock.
Vocalist Maurizio Iacono of Montreal, Quebec, Canada-based death metallers KATAKLYSM has weighed in on yesterday's top story: the controversial Rolling Stone cover featuring alleged Boston Marathon bomber Dzhokhar Tsarnaev.
According to Fox News, the issue, which hits newsstands Friday, features an picture of an unsmiling Tsarnaev above the bolded legend "The Bomber." The subhead promises to reveal "[h]ow a popular, promising student was failed by his family, fell into radical Islam, and became a monster."
Writing on his Facebook page, Iacono said: "Rolling Stone magazine: If they had to put something, they should have put his brother's blown up face on the cover with 'this is what happens to idiots' instead they put this fucker and glorify him, looking like a rockstar.
"Really? I'm not a reader of this mag, but I've known it all my life and always saw it as the pinnacle of 'if you're a musician and you make the cover of Rolling Stone, you made it big time.' It took AC/DC their entire career to make the cover of this mag because they were snobbed by them, [yet it only] took this kid some explosives and guns.