Manos Spanos

Report: Thrashers United IV – Athens, Greece

"Thrashing and slamming like hell in the pit Tomorrow they know may not come Banging and moshing like they don't give a shit To the rapid beat of the drum" (D.R.I. - Thrashard) "Don't start to cry if you get a black eye Just dive back in and give another try But too much action may leave you in traction So you better get insurance no matter your endurance" (Exodus - The Toxic Waltz) Those words by those Thrash legends could pretty much sum up the Thrashers United event going on for the fourth time in 5 years! Exarsis, Bio-Cancer, Chronosphere, Fadom and Domination were there to show what the new breed of Thrash has to offer. A fully packed 7Sins awaited some of the most popular bands of the scene. The 16-year old phenomenon called Domination took the stage first to show what they're made of. They played mostly material from their well-known so far "The Sacred Matrix" mini-CD (I Am Your God, Crisis, Death And Decay) in the style of Sepultura, Pantera and Slayer as well as newer stuff off the upcoming full length "Infants Of Thrash" (playing the blistering title track and one more I can't recall) creating the first mosh pits and stagedives (the writer being one of them!), giving it all for the crowd that set the tempo for the bands to come. Coming up next we have Fadom, the honored band of the event releasing their debut full-length "Pantophobia" that day. The band decided to play that album in its entirety in a mixed ordered starting off with "Massive Destruction" making things even more violent in the pit including a surfboard for stagediving and plastic bananas (yes you heard it correct: two surfboards for all the maniac stagedivers). Songs played off that album were the title track, "Heavenfall", "Thrash Bandicoot", the anthemic "Thrasholution",

ANTHRAX’s SCOTT IAN On Next Album: ‘Where We’re At Musically Right Now, This S**t Is Just So Killer’

ANTHRAX guitarist Scott Ian spoke to Metal Insider about the progress of the songwriting sessions for the band's follow-up to 2011's "Worship Music". "It's really coming along," Scott said. "It's crazy to think that we're already in January of this year; it seems like we just finished touring in August and we said decided to start writing again. "We decided not to take a break and we're jumping right in because everyone felt we could. "We're sitting here right now with 12 songs musically arranged and really focusing on lyrics now. "At the end of the month, after the NAMM show, is the next time we're getting together at [producer] Jay's [Ruston] studio to work on vocals. "I like to think at the pace we're going we would be ready to start recording maybe in April. "I hate to ever put a stamp on something like this, because you just never know. But where we're at musically right now, this shit is just so killer. It's not like we have that far to go. "Sometimes as a band when we're writing — and I'm sure this happens to other bands too — you could sit down and listen to where you're at and think 'this stuff is good, but maybe there's too much mid tempo stuff, or we don't really have an album opener yet.' There are just certain ways you listen to it in the context of how are to sequence and pace it, things like that. "I think we've got all our bases covered and we're ready. "If we come out with some better shit in the next couple of months, that's awesome, but the 12 things we have musically so far we're really happy with. "Things came together really fast for us and I think that has a lot to do with the fact that we just came off such a good run with 'Worship Music'. We were all really excited about getting back in a room and writing songs together, and it was the first time in a really long time that we weren't going into writing a record coming off a really shitty time. [laughs] So for us to have come off such a great run with 'Worship Music', we were all really excited about it and I think it really shows in the music." Asked how he would compare ANTHRAX's new material to "Worship Music", Ian said: "It's hard to compare. That, to me, has always been the hardest question and it's something I just don't like to do because to me it's just all ANTHRAX. I would just tell you anything we've ever done is ANTHRAX, so I don't know how to compare it to 'Worship Music'. "If you liked 'Worship Music', you're gonna like this. The one thing I can say is that it definitely has more thrash elements. It definitely hearkens back to more of who we were in the '80s, yet at the same time sounding like us now in present day, which is what a lot of people said about 'Worship Music'. I think this one hits even harder and faster, more brutal with crazier riffs. "We were all super inspired coming in and working with Charlie [Benante, drums] and Frankie [Bello, bass] in the room, and then having Jay in the room with us as well, has been amazing because he really pushes us. He pushes us hard. Like when we may get stuck on something in an arrangement or where to go with a melody, he will really push us and make sure we're not just saying, 'Alright, that's good.' He's like, 'No, that's exactly what to do. It's just good, now work harder.' We all trust him so much, so it's great having him in the room there to push us." ANTHRAX's next album will mark the recording debut with the band of lead guitarist Jonathan Donais (SHADOWS FALL), who replaced Rob Caggiano in January 2013. Regarding whether Donais is now officially an ANTHRAX member, Ian said: "For all intents and purposes, he's in ANTHRAX. He's going to be there for everything we do moving forward. As far as how you title it, yeah. As far as I'm concerned, Jon is in ANTHRAX and will be playing leads on the record and will be touring with the band starting at the end of May 2014."

MÖTLEY CRÜE: ‘RIP: All Bad Things Must Come To An End’

MÖTLEY CRÜE will hold a special event in Los Angeles on January 28 under the banner "RIP: All Bad Things Must Come To An End". The band is expected to announce the first details of its farewell tour, which will likely last for a couple of years. MÖTLEY CRÜE bassist Nikki Sixx was asked in an October 2013 interview with RollingStone.com about the time table for the band's eventual farewell tour, which singer Vince Neil said could begin as early as May 2014. "We haven't decided when that is, we're talking about that," Sixx said. "It'll happen, but we don't know when it will happen. "The most important thing about a farewell tour is that the band doesn't lie to the fans, and the band doesn't tour and then come back years later. That's what's important for us, planning what's the right time to go out. "We have a great fan base, we have original fans all the way down to teenagers, and we really feel grateful to that and we continue to reinvent ourselves over the years. "People always tried to make us an unimportant part of rock history and that doesn't really affect us because it's always been that way. Critics have always snubbed us. "The thing about MÖTLEY CRÜE is we are a people's band, we don't kiss ass to the industry. We believe artists should be in control of their own destiny and that destiny also includes when it should be done so that their fans can forever be proud. It's not one or two band members up there dragging the band name around. It's a band for a reason, it works for a reason. We're really proud of that. I think that's why, when the day does come, we want to be proud of our band and what we've achieved." He continued: "Someone said to me the other day, 'Won't you be sad?' I go, 'No, I'd be sad if we were playing half-full theaters and only two band members were in the band.' That would be sad. Sad is not taking your final bow in Los Angeles all together as four brothers. "I talked to a friend the other day and they were talking about a friend of theirs who passed away. And after the funeral, they had this huge party and everybody was celebrating, drinking and telling stories about this guy and how fun he was and how much joy he gave everybody in life. That's how I feel about MÖTLEY CRÜE. "When that day comes, that's what I want: one big fucking huge party to celebrate what we've done, all the good, all the bad, all the in-between. There it is, one big party, one final bow. It's gonna be fucking rad, but we're not there yet. Right now, we got three shows left in Vegas and then we're gonna start looking forward to when we tour next." Asked if there there could be multiple tours, or if the next one will be the finale, Sixx said: "We don't know right now. We said as brothers and a band, that's something we plan on doing sometime in the future, but we're not there yet, so we don't have any idea when. We're not sitting down right now planning on that." In an interview with Billboard.com, Neil said about MÖTLEY CRÜE's upcoming farewell tour, "I think we'll start the tour around May — I'm just kind of guessing on that, but in the spring of '14 — and we'll do one more time around the world and kinda call it quits. It's just that time. We're going out on top. We don't want to be some band that people are like, 'Oh, they're playing a club now,' that kind of band. We still sell out arenas, have stadium stuff and things like that, so let's go out when it's a big deal." Vince also insisted that MÖTLEY CRÜE's retirement will be for "real" and that they won't hold multiple farewell tours like certain other acts. "There are some bands that are on their fifth and sixth farewell tour," Vince told KVVU Fox 5. "Nah, we're not gonna do that. I'm not gonna say we would never get back together and do some concerts or something — we wanna keep that open — but we're not gonna do a farewell tour and then a couple of years later go, 'Ah, never mind.'" MÖTLEY CRÜE wrapped up its second Las Vegas residency at the Hard Rock Hotel’s Joint last October.

GEOFF TATE, Former Bandmates Involved In Settlement Talks Over Rights To QUEENSRŸCHE Name

Singer Geoff Tate — who was fired from the Seattle progressive rock band QUEENSRŸCHE in 2012 after fronting it for three decades — has revealed to AL.com that he currently is involved "in settlement talks" with his former bandmates over the rights to the group's name. Tate and his wife, Susan, QUEENSRŸCHE's former manager, filed a lawsuit in June 2012 asking the judge to award them the rights to the band's name in exchange for Tate paying Eddie Jackson (bass), Michael Wilton (guitar) and Scott Rockenfield (drums) the fair market value for their interests in the QUEENSRŸCHE companies. Wilton, Rockenfield and Jackson filed a countersuit against the Tates in which they accused Geoff of creative obstruction and violent behavior, and Susan Tate of questionable business practices. While ruling against Tate, the presiding judge determined that there was no legal hurdle in Tate also using the name with an all-new lineup of musicians. "I don't see any reason that Mr. Tate can't have the benefit, if he gets other members, of whatever name he uses of using the brand," Superior Court Judge Carol A. Schapira said during the July 13, 2012 court hearing. "I think [doing that would be] inherently confusing, although I'm sure the market can get these things sorted out," she added. Asked by AL.com what his ultimate goal of the court proceedings is — to get the original lineup of QUEENSRŸCHE back together or to win the name and continue with this band, Geoff said: "Right now, we have two QUEENSRŸCHEs, which is way too confusing to fans. We have to give someone the name and someone has to pay the other person off. We're in settlement talks now, and I hope that we can come to a conclusion in the next couple of weeks." Wilton, Rockenfield and Jackson last year accused Geoff Tate of "continu[ing] to harm the QUEENSRŸCHE brand" since the Tates' original lawsuit was filed in June 2012. In a court document, they wrote: "The newest self-titled QUEENSRŸCHE CD release by the [Todd La Torre-fronted version of the band] entered the U.S. charts at #23 and continues to get 9-out-of-10-star reviews and is still selling very well on a weekly basis around the globe. In comparison, Geoff Tate released his own QUEENSRŸCHE CD in April of [2013] titled 'Frequency Unknown' and depicted as F.U. on the cover, which entered the charts at #82, received very bad reviews around the world, and has slowed to almost no more weekly sales. [The Todd La Torre-fronted version of QUEENSRŸCHE's] new CD even outperformed the last two CDs of them with Geoff Tate, selling more in a month than the 'Dedicated to Chaos' CD has since its release in 2010, and charting much better than both that album and the previous one, 'American Soldier'. Thus, the return to the classic sound [Tate's former] bandmates have made with the new CD and live shows has been met with overwhelming success." They added: "Geoff Tate also chose very poorly in hiring live musicians that have shown that they are not capable of representing the correct performances of the QUEENSRŸCHE music legacy, and he was constantly replacing them. He has been offering his low-quality version of QUEENSRŸCHE to the promoters at a much reduced rate, as low as $10,000 per night, when, in fact, [his former] bandmates have done their best to keep the authorized QUEENSRŸCHE at an average of well over $20,000 per show this entire year. However, this becomes harder and harder with Geoff Tate's sub-par band and cut-rate pricing that continues to be damaging to the QUEENSRŸCHE brand and legacy no matter who ultimately wins control after trial." In an interview with The Oakland Press, Rockenfield said said that "negotiations are ongoing between Tate and the singer's former bandmates and "there's still time for anything to happen between now and [the start of the trial in January 2014]." "I think our confidence is pretty high," Scott said. "There's a lot of legal stuff you have to deal with, but we just feel good and look at it as a light at the end of the tunnel and keep playing shows and making music. I think when you do that, the right decision will be made in time."

SABATON: ‘Heroes’ Alternate Artwork Unveiled

Swedish metallers SABATON will release their new album, "Heroes", on May 16 via Nuclear Blast Records. The cover artwork for the CD was created by Péter Sallai. There will also be "alternate artwork for some editions," according to the band. The cover artwork for both the standard and special "Heroes" editions can be seen below. "We had the title in mind since before we even recorded 'Carolus Rex' and we already had ideas for artwork years ago," says SABATON bassist Pär Sundström. "We had a few different ones to choose from, but when we saw this one, we knew it was the right one for this album." "Heroes" is being recorded at The Abyss, the recording studio in Pärlby outside Ludvika, Sweden owned and operated by record producer and musician Peter Tägtgren (HYPOCRISY, PAIN). "[Peter] still has some aces in his sleeves that we are sure will lift the new album," says Sundström. A video clip of the drum-recording sessions can be seen below. SABATON played its first show with new drummer Hannes Van Dahl on November 16, 2013 at the Metal Hammer Paradise festival in Germany. Regarding their decision to enlist Hannes Van Dahl, SABATON said in a statement: "For some time, there has been rumors about Robban [Bäck] coming back soon, or that Snowy [Shaw] would fill in for a while longer, or even take Robban's place permanently behind the drums. "To put an end to these rumors we now present our new full-time member in SABATON: Hannes Van Dahl. "Hannes has previously played in EVERGREY, which we have toured with in the past, and he has also worked side by side with us as drum technician for Snowy during his time in SABATON." SABATON will return to the U.S. and Canada in April as direct support to American metallers ICED EARTH on their "Worldwide Plagues" North American tour. Opening each show on the six-week trek will be Dutch metallers REVAMP (featuring NIGHTWISH singer Floor Jansen). SABATON's last album, "Carolus Rex", was released on May 22, 2012 via Nuclear Blast Records. The lyrics for the CD, which was made available in both English and Swedish, deal with the Swedish Empire (referring to the Kingdom of Sweden between 1561 and 1721). SABATON in 2012 parted ways with guitarists Oskar Montelius and Rikard Sundén, drummer Daniel Mulback and keyboardist Daniel Mÿhr. Alternate cover:

DESTRUCTION’s SCHMIER Says He Is Collaborating With ACCEPT Members On New Project

"Met Al Metal" — Israel's metal radio show hosted by brothers Lior and Niv Peleg — recently conducted an interview with DESTRUCTION bassist/vocalist Schmier. During the chat, which can be streamed using the audio player below, Schmier reveals that he is currently working on a new side project with members of ACCEPT. DESTRUCTION's 30th-anniversary album, "Spiritual Genocide", was released on November 23, 2012 via Nuclear Blast Records. The follow-up to 2011's "Day Of Reckoning" was recorded at Gernhart Studios in Troisdorf, Germany with engineer Martin Buchwalter and was mixed by Andy Classen. The album features guest appearances by Thomas "Angelripper" Such (SODOM), Andreas "Gerre" Geremia (TANKARD) and Ol Drake (EVILE). In addition, the "Mad Butcher"/"Release From Agony" lineup of DESTRUCTION — featuring guitarist Harry Wilkens and drummer Oliver Kaiser — reunited for one song. Asked how DESTRUCTION's sound has evolved over the years, Schmier told Metal Assault, "We were 17-18 years old when we started, and we were young and wild. We didn't play that well at the time. Of course now, we have the experience of 30 years and our playing skills are totally different, so we cannot really compare, but I still compare the style of music and it's still thrash metal. We still do it with a lot of emotion and a lot of aggression, and those things will never change. I think we even came more brutal and more aggressive with this new album as compared to the old ones, actually. [Today's] DESTRUCTION doesn't sound like an old band." Interview (audio):

SKID ROW To Enter Studio Next Month

SKID ROW will enter the studio on February 2 to begin recording "United World Rebellion - Chapter Two", the second in a series of EPs that the reincarnated band — Dave "Snake" Sabo (guitar), Rachel Bolan (bass), Scotti Hill (guitar), Johnny Solinger (vocals) and Rob Hammersmith (drums) — plans to release in the near future. SKID ROW's last EP, "United World Rebellion - Chapter One", was released in Europe on May 24, 2013 via Germany's UDR Music. The European version of the EP includes two bonus tracks, both of them cover tunes: "Fire Fire" (EZO) and "United" (JUDAS PRIEST). "United World Rebellion - Chapter One" sold around 1,500 copies in the Unted States in its first week of release. The CD was made available in North America on April 16, 2013 via MRI. In a recent interview with Metalshrine, Bolan stated about SKID ROW's decision to release a series of EPs: "The reason we're doing it is because we wanted to try something different and try a different angle. "We're old school and we've always put out a full-length and then toured for a year and a half or whatever. "Technology moves so fast and information overload kinda rules the day, so we went, 'Why don't we put together seven songs and put out three chapters over the next two years?' Snake [guitarist Dave Sabo] and I were talking about it and when we told the rest of the band they were into it and our label loved it. "The main reason is to put out some new music and tour after that and then more new music and tour after that. Keep everything fresh. And then another reason was the economic factor. It's a lot easier for a SKID ROW fan to put down 6 dollars instead of having to shell out 17 for a full-length. I think some people are still not sure about it, because it is a different way of doing things, but we just did it because we thought it would be a cool idea to have a concept. "It was seven years between "Revolutions Per Minute" and "United World Rebellion" because we toured so much, and honestly, one night, I forget who said it, it was Scotti [Hill, guitar] or Snake, 'Man, we haven't put out new music in a really long time.' And we were, like, 'Nah, it's been like two or three years.' We started thinking and it was, like, 'No, it's been like seven years.' [laughs] "From a songwriter's standpoint, it's a lot less pressure. It keeps your chops up as a songwriter and there's always something for the band to do; there's never really any down time. Between writing, recording and touring, for this whole year, we've probably only taken two weeks completely off." Read more at http://www.blabbermouth.net/news/skid-row-to-enter-studio-next-month/#oV5IBZmMrvJ42HDI.99

KISS Documentary ‘You Wanted The Best You Got The Best’: Official Teaser Poster

The official "teaser" poster for what's being billed as the definitive KISS documentary, "You Wanted The Best You Got The Best", can be seen below. The film is expected before the end of the year. According to The Pulse Of Radio, Ace Frehley and Peter Criss have opted out of appearing in "You Wanted The Best You Got The Best". Classic Rock magazine spoke to director Alan G. Parker, who's behind the officially sanctioned film, and he shed light on why the two co-founders are staying away from anything having to do with Gene Simmons and Paul Stanley, explaining, "Gene and Paul were shocked at first, but now they don't seem to be. There's been so much bitchiness down the years, and so much said about and done to Ace and Peter that they interpreted the request to be in the movie as a favor to Gene and Paul. Because of that, they won't go anywhere near it. The negotiations were interesting, to say the least." In the end, Parker will use footage shot of Frehley and Criss by band archivist — and current lead guitarist — Tommy Thayer back in 2001. In addition to Thayer and current drummer Eric Singer, Parker has filmed interviews with former guitarist Bruce Kulick and his brother Bob Kulick — who performed on many of the band's studio tracks. Parker also held, "positive meetings" with the family of Eric Carr, the band's late drummer, who replaced Peter Criss in 1980 and died of heart cancer in 1991. With the film currently in the editing stage, Parker "hopes to show the finished film to the band in February or March, followed by a spot at the Cannes Film Festival in May and a worldwide opening in the autumn of 2014." In a November 2013 interview with Eddie Trunk's "Eddie Trunk Rocks" radio show on New York's Q104.3 FM, Frehley stated about his refusal to appear in "You Wanted The Best You Got The Best": "I don't know. I found it very weird that, instead of getting a call from Gene or [KISS manager] Doc McGhee or [KISS guitarist/vocalist] Paul [Stanley], because they're behind this documentary, instead of getting a call from them, I get a call from my bodyguard, and he got a call from KISS' bodyguard about me doing an interview for this documentary. They tried to go through the back door — probably because they don't wanna pay me any money, as usual, and it left a bad taste in my mouth, and I just passed on it. You want me to do a documentary? Let me know how much money you're making, give me my fair share, and I'll sit down and talk. You don't wanna do it that way? Forget about it… If KISS is behind the documentary, Paul and Gene are making the lion's share of the funds." Former KISS filmmaker Tommy Thayer now "portrays" Frehley's character in KISS' live show. Unlike Frehley's original replacement Vinnie Vincent — who was given his own unique persona — fans have had mixed reactions to Thayer possibly "duping" some people into thinking Frehley is still playing with the band. Thayer looks at it from a theatrical, rather than a historical perspective. "You've had different guitarists in and out of the band, and different members. At this point, if you start introducing new characters and new makeup designs and things, I think that it really dilutes the whole core and, y'know, the original foundation of what KISS is," he said. "And those four original characters are certainly the whole basis of it. To change that and come up with a new design or character, it just convolutes things."

MASTODON’s ‘Call Of The Mastodon’ To Be Reissued On Vinyl

Relapse Records will re-release MASTODON's "Call Of The Mastodon" collection on limited-edition vinyl on February 18 in North America, February 14 in Germany/Benelux/Finland and February 17 in the the rest of the world. Pressed for the first time in over eight years, this compilation collects all of the band's earliest material including demo material, 2001's "Slick Leg" seven-inch single, and 2001's "Lifesblood" EP. "Call Of The Mastodon" is a vital piece of heavy metal history and the crucial starting point in the still-burgeoning MASTODON legacy. The vinyl repress follows last year's represses of the seminal MASTODON debut, "Remission", and their now-legendary sophomore LP, "Leviathan". The "Call of the Mastodon" vinyl includes a digital download of the full album and is being pressed on three color variations: red; clear with gold and blue splatter; and blue and gold merge. Pre-orders are currently available via this location.

AEON Announces New Guitarist

Swedish death metal overlords AEON have announced the addition of guitarist Ronnie Björnström to the group's ranks. Björnström produced the band's fourth studio album, "Aeons Black", which came out on November 20, 2012 via Metal Blade Records. Says AEON in a statement: "We are all very exited about [Ronnie's addition to the band] and we say welcome to Ronnie. We're looking forward to fans seeing us live with Ronnie and hope to be back to the U.S. some point this year." Adds Ronnie: "Having worked with the band for over four years as their front-of-house tech and producing their latest album, I know AEON is one of the best death metal bands out there. It is an honor for me to be sharing stage with the guys." Guitarist Daniel Dlimi announced his departure from AEON last October, explaining in a statement: "I simply can't afford doing this no more. To tour with a band in our size, you actually lose money on each and every tour. For us, the expenses is always higher then the income, and if that wasn't enough, I also need to take time of from my daytime job which means absolutely no income at all during the period of a tour plus the extra expenses I get from the tour that does not get covered by the tour income."

Manos Spanos

Manos Spanos (Metalpaths' co-editor-in-chief), eight years in this site but still can't be characterised as a metalhead.