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LEMMY On His Health Issues: ‘I’m Paying For The Good Times’

In a brand new interview with The New York Times, MOTÖRHEAD's Lemmy Kilmister was asked how he is feeling after recently canceling a European tour due to his health issues. "I just feel really down," Lemmy said. "I'll never get a job again. I'm paying for the good times, I suppose. It's a mixture of all the things I ever did — and I did plenty." On the topic of whether he has had to stop drinking, Lemmy said, "I've already given up smoking. I drink wine and that's it." Lemmy also spoke about whether he reconciled with his father, whom he once called a "nasty little weasel." "No, he died nine years back," Lemmy said. "We didn't run through the cornfields to each other in slow motion." Asked why he thinks a lot of heavy-metal giants have had very problematic relationships with their fathers, Lemmy said, "You could say that about anyone, really, couldn't you? With heavy metal, I suppose it's because of the look. Parents don't like you looking like this and going out and disgracing the family."

RIOT Live in Athens

Source: Blabbermouth.net Yesterday we informed you that RIOT will carry on as RIOT V and with Todd Michael Hall as the new singer. Well today we have th...

SUNN O))) And ULVER Join Forces In A New Collaborative Work

SUNN O)))'s most recent studio album, 2009's "Monoliths And Dimensions", and ULVER's 2013 album, "Messe I.X-VI.X", found both evolving and longstanding groups venturing into the world of acoustic arrangement and contemporary orchestration. Besides arriving at this seeming parallel in vision, the pair's long-standing camaraderie was initiated during SUNN O)))'s 2003 "White1" sessions with the track "CutWOODED" which was produced by ULVER, in tribute to the deceased film director Ed Wood. ULVER's decision to emerge from the shadows into live performance, in 2009, unveiled a new facet of showmanship, presentation and the grandiose which took their audiences to an unforeseen level. SUNN O)))'s presence has always been felt, whether in their hundreds of legendary live concerts, the reissue of out of print albums in devotion to their loyal fanbase, or the recent unveiling of their new web site — and the anticipation of something new was heightened beyond belief recently when the label posted online the words, "SUNN O))) and ULVER 2014". Yes. At long last they have come together for a more developed collaborative work. It has now been confirmed that these words, SUNN O))) and ULVER, together, represent an astonishing yet somehow totally tenable matrimony of these two earthshakingly powerful forces, coming together like tectonic plates. The result of this union is a three-track recording entitled "Terrestrials"; three movements which are fluid like the flow of magma beneath the Earth's crust, sonically uninhibited, unpredictably cosmic, haunting and stirring yet simultaneously ceremonious and beautiful. Southern Lord shall release "Terrestrials" in February 2014.

RIOT To Carry On As RIOT V; New Singer Announced

RIOT's classic "Thundersteel" and "Privilege Of Power" lineup reunited in 2009 and delivered a critically acclaimed album, "Immortal Soul", via major metal heavyweights SPV/ Steamhammer and Avalon/ Marquee. A successful tour with performances on the prestigious 70000 Tons Of Metal cruise and appearances at Sweden Rock and Metalway festivals solidified RIOT's long-sought-after return a success, but success doesn't come without tragedy. The band's journey has never been easy, with personnel changes and the untimely deaths of frontmen Guy Speranza, Rhett Forrester as well as the passing of long-time founding guitarist Mark Reale who finally lost his lifelong battle with Crohn's disease early last year, and with Tony Moore battling his own demons and health issues, RIOT, like Johnny, are back again! Through the storm of life's obstacles, Mike Flyntz, Bobby Jarzombek and Don Van Stavern are joined by powerhouse vocalist extraordinaire Todd Michael Hall (JACK STARR'S BURNING STARR, REVERENCE) and are ready to raise the flag in honor of the RIOT legacy of music and our fallen bandmates and heroes, as well as the fans who have been demanding RIOT for years and years to come! With the blessing of Mark's father Tony Reale, the remaining members prepare for the next phase, the fifth phase if you will, of RIOT. Mark always used to say that there were always different phases of RIOT throughout the years continuing on with a new singer, sound, logo as well and each having a few records under their belt, Phase One: Guy Speranza, Phase Two: Rhett Forrester, Phase Three: Tony Moore, Phase Four: Mike DiMeo and now Phase Five: Todd Michael Hall! A new album is in the works for a summer 2014 release and reissues are due on Sony, EMI and Metal Blade. According to a press release, "Mike, Don, Bobby and Todd are inspired as never before and still at the top of their game, and the new CD promises to be a true successor to the legacy of 'Thundersteel', 'Privilege Of Power' and 'Immortal Soul'. Mark and the RIOT legacy will forever shine on and as long as the people demand it we will keep coming back with great music for years to come. "Please welcome Todd Michael Hall and RIOT V!" RIOT V is: Todd Michael Hall - Vocals Bobby Jarzombek - Drums Don Van Stavern - Bass Mike Flyntz - Guitar

HYPOCRISY Bassist Sitting Out European Tour

For "personal reasons," bassist Mikael Hedlund of Swedish death metallers HYPOCRISY is sitting out the band's current European tour with HEAVEN SHALL BURN. Filling in for him is André Skaug of CLAWFINGER. HYPOCRISY was forced to cancel its North American tour earlier in the year due to reasons beyond the group's control. The bandmembers had received their visa approvals and everything was going as scheduled until the embassy let them know that the earliest they could pick up their visas, get them stamped and so on, wasn't until late June at the earliest. A regular procedure that would normally take just a few days to sort takes much longer at the moment due to that current workload Homeland Security is experiencing. The trek was also set to feature Brazilian brothers in death KRISIUN, Belgian gore-grinders ABORTED, and technical-melodic-death-masters ARSIS, as well as AUTUMN'S END and STARKILL on select shows. HYPOCRISY's latest album, "End Of Disclosure", was released in Europe on March 22 via Nuclear Blast Records. The CD was produced by Tägtgren at his Abyss Studio in Sweden. The artwork was created by Wes Benscoter (SLAYER, KREATOR, NILE, VADER). HYPOCRISY's "Hell Over Sofia - 20 Years Of Chaos And Confusion" DVD/CD was released in October 2011 via Nuclear Blast. The disc contains footage of the band's February 27, 2010 concert at the Blue Box club in Sofia, Bulgaria.

FEAR FACTORY Cupcake Has Arrived

Hardcore Sweet Custom Cupcakes, winner of the recent "Cupcake Wars" on the Food Network, has just made a spicy FEAR FACTORY cupcake. A red velvet and jalapeño cake with cream cheese frosting topped with a chocolate jalapeño candy dusted with cayenne, it is available now at www.hardcoresweetcupcakes.com. FEAR FACTORY guitarist Dino Cazares personally sampled the new FEAR FACTORY cupcake when the "Cupcake Wars" winning recipe (not the FEAR FACTORY cupcake) was featured at the grand opening of the month-long haunted music attraction Rob Zombie's Great American Nightmare. Rob Zombie himself, who served as a judge on the program, wanted the cupcakes to be vegan and contain extremely spicy ingredients.

OZZY OSBOURNE: ‘I’m Alive Because I’ve Got A Strong Wife’

BLACK SABBATH singer Ozzy Osbourne, who relapsed into drug and alcohol abuse for 18 months a couple of years ago, credits his wife and manager, Sharon, for saving his life. "I did a good job of being the living dead myself," he told Express.co.uk at at the ninth annual Classic Rock Roll Of Honour, which was held November 14 at London, England's Roundhouse. "I'm alive because I've got a strong wife, I think. I didn't expect to live past 30 – I remember when I was 21 saying I would be dead by 40. That was all right until I was 39½." Asked for any advice he'd give to young bands or his younger self, Ozzy said, "I'm not good at giving advice to anyone else. Drink more and take as much cocaine as you can. That's what I would tell my younger self." Ozzy admitted that he relapsed into drug and alcohol abuse in a statement posted by the BLACK SABBATH singer on April 15 on his Facebook page. He wrote: "For the last year and a half, I have been drinking and taking drugs. I was in a very dark place and was an aasshole to the people I love most, my family. However, I am happy to say that I am now 44 days sober. "Just to set the record straight, Sharon and I are not divorcing. I'm just trying to be a better person. "I would like to apologize to Sharon, my family, my friends and my bandmates for my insane behavior during this period... and my fans. God bless, Ozzy." Ozzy has struggled with drug and alcohol addiction throughout his entire 40-plus-year career, both with SABBATH and as a solo artist, although in recent years he seemed to have achieved a steady level of sobriety. Ozzy told The Pulse Of Radio a while back that the many years he spent drunk and high took a toll on his relationship with his kids — especially his son Jack. "The one downside about being the crazy guy of rock 'n' roll was the fact that I missed out on my children somewhat and they missed out on me," he said. "I had an argument with my son one time, and I go to him, 'Jack, what are you moaning at me for? You never wanted for a damn thing.' And he goes, 'Oh yeah? What about a father?' And it just kicked me straight between the legs and I was like, 'Good God.'"

LARS ULRICH Says METALLICA’s Career So Far Has Been A ‘Pure, Honest And Straight Ride’

The Talks recently conducted an interview with METALLICA drummer Lars Ulrich. A couple of excerpts from the chat follow below. The Talks: Back in the '80s it seems like metal was also not as mainstream as it is today. Do you agree? Lars: I am not the person to ask that kind of question to, but certainly the world is a smaller place than it was 20 or 30 years ago. When you were going to different corners in the world the local aesthetics were much more prevalent at that time. We just did a run in Malaysia, Singapore, Indonesia, China and all these places and it is still Starbucks and Burger King and the same sort of thing that it is everywhere else in the world. The first time we were in Japan in 1986 it was like going to a different universe. The first time we went behind the Iron Curtain in 1988 we went to Hungary it was like going to the moon. Nowadays music penetrates on a global basis in a way it probably didn't do before. The Talks: How have you learned to deal with the enormous expectations from a band of METALLICA's stature? Lars: I think you just train yourself like anything. You train yourself to block it out and you got to have to train yourself hard because nowadays with the Internet and with everybody having an opinion it is harder, you have to be more careful as you navigate through a lot of that stuff as people say some very, very unpleasant things. 20 years ago you would make a record and somebody would critique the record. Like, "This is a good record, this is not a good record. This is why it is not a good record." Whatever. Now it is like, "Lars Ulrich must fucking die!" Do you know what I mean? It is like a different thing and it is much more a scathing and there is a whole kind of thing about expectations and people express their viewpoints, both good and bad and so on. If you pay attention to it, you have to learn how to not own it. You have to learn to not take it with you. And I am pretty thick-skinned, so I think we have a fairly good balance. The Talks: A lot of people argue that METALLICA made a string of shitty records from the mid-'90s until the 2000s and your last record in 2008 was your first return to form in around 20 years. How do you view that? Lars: The bad thing the Internet is that at some point everything becomes these super short sound bites. Everything is sort of getting shorter and shorter because people have a shorter and shorter attention span and there's a tendency to define everything. So define METALLICA: "METALLICA had a bunch of pioneering records in the '80s and then they had a slump in the '90s and then they figured it all out again in the 2000s." If our slump was the mid-'90s, I think that's pretty good. We pushed four records out in four years — '96, '97, '98, '99 — and if those four records are our not-great records, then I'm pretty happy with that because I think all four of those records are pretty fucking cool. The Talks: So how would you define METALLICA? Lars: Listen, each one of those records, each one of those time frames, was always the best it could be at the time, the most it could be, the best we had to offer. The one thing I'll always hold my head up high about is that 32 years later, it's been quite a ride — it's been a pretty pure ride, a pretty honest ride, a pretty straight ride — we haven't done things for ulterior motives or tried to do things for commercial gains or for this or for that, so I feel pretty proud of all of it. I think I can look myself in the mirror and go, "It's okay," because that was what I felt at the moment and I did my best. I'm pretty pleased with the first 32 years, so we'll see what the next 32 years bring. Read the entire interview at The Talks.

BEHEMOTH: Final Teaser For ‘Blow Your Trumpets Gabriel’

The third and final teaser for "Blow Your Trumpets Gabriel", the brand new video from Polish extreme metallers BEHEMOTH, can be seen below. The song will be released as a digital single and limited-edition 12-inch EP on December 4 via Behemoth/New Aeon Musick in Europe. The gatefold EP will be limited to 2,000 copies (1,000 on white and 1,000 on black 180-gram vinyl), all of which will be hand numbered and signed by the BEHEMOTH bandmembers. In addition to the title track, the single will include two more compositions that will not appear on BEHEMOTH's tenth full-length album, "The Satanist": "If I Were Cain" and a cover of "Ludzie Wschodu" from the influential 1980s Polish punk rock band SIEKIERA. The music video for "Blow Your Trumpets Gabriel", which was described by BEHEMOTH frontman Adam "Nergal" Darski as "killer" and "a monster," was directed by Polish producers Grupa 13, with whom BEHEMOTH previously collaborated on the clips for "At The Left Hand Ov God" and "Ov Fire And The Void". "Blow Your Trumpets Gabriel" single release dates: Dec. 4: U.S. Dec. 8: U.K. Dec. 6: Rest Of Europe Fan-filmed video footage of BEHEMOTH performing "Blow Your Trumpets Gabriel" during their October 19 appearance at this year's edition of the Loud Park festival at Saitama Super Arena in Tokyo, Japan can be seen below. "The Satanist" is due in early 2014 via Nuclear Blast in Europe and Metal Blade in North America. The CD was recorded at Hertz studio in Bialystok, Poland with the help of the Wieslawscy brothers (Wojtek and Slawek) and Daniel Bergstrand (MESHUGGAH, IN FLAMES, SOILWORK, STRAPPING YOUNG LAD). Other songtitles set to appear on the effort include "Messe Noir" (French for "The Black Mass") and "Ora Pro Nobis, Lucifer" (Latin for "Pray For Us, Lucifer"). The effort was mixed by Matt Hyde (SLAYER, HATEBREED, CHILDREN OF BODOM) and was mastered by Ted Jensen (METALLICA, AC/DC) at Sterling Sound in New York City. "The Satanist" cover artwork was painted with Nergal's own blood. He provided a container of his plasma to Russian symbolist painter and occultist Denis Forkas in Moscow. Forkas then blended the blood into the painting so that it would have a more "organic" feel. Additional artwork was handled by Metastazis and Zbigniew Bielak. "I wanted to incorporate some of my DNA into the art," Nergal told Australia's Heavy magazine. "This album seems to be so defining of who we are now as people and as individuals, and considering all the instances in recent years, [we wanted] to make it more 'ours' than it is usually." In a recent interview with Revolver magazine, Darski described BEHEMOTH's new songs as "very atmospheric" and "very emotional." "Think BURZUM meets NEW ORDER meets KILLING JOKE," he added. But at the same time, fans shouldn't expect the album to sound too far removed from BEHEMOTH's past efforts. "Take SLAYER, for example," Darski said. "Whatever genre they deal with, they still end up sounding like SLAYER. Even when they were flirting with nu-metal, it was a SLAYER record. Same with BEHEMOTH." According to Darski, at least some of the inspiration for the new BEHEMOTH album came from his five-month bout of leukemia he overcame in January 2011, after receiving a bone-marrow transplant. "When I was in the hospital, I was collecting experiences and emotions," he said. "I'm pretty sure that it's coming out now. There are moments I catch myself thinking about how my state was back then. It was me versus life, me versus death. It definitely changed my thoughts a lot. It's 100 percent being reflected in the record and songs I'm writing nowadays. I'm way more radical than I used to be." "Blow Your Trumpets Gabriel" teaser #3:

SAXON: Entire ‘Unplugged And Strung Up’ Album Available For Streaming

SAXON's "Unplugged And Strung Up" album can be streamed in its entirety below. SAXON's selection of unique, fresh and adventurous interpretations of material previously heard only with raw heavy metal thunder, "Unplugged And Strung Up" was released on November 18. The effort reveals layers and pieces previously dormant in many of the 14 classic SAXON songs chosen for this makeover, thanks to some ear-catching new arrangements and mixes. Recorded, mixed and mastered with Andy Sneap in Derbyshire, U.K. earlier this year, "Unplugged And Strung Up" contains re-evaluated, re-worked and re-energized versions of "The Eagle Has Landed" and "Crusader" by introducing orchestral dynamics to offer added dimension. "Frozen Rainbow", from the band's 1979 debut, gets a stunning acoustic reprisal which transports it into a power ballad to be proud of, while "Red Star Falling" soars and sweeps the emotions with its orchestrally arranged dovetail. As if this reinvention wasn't enough, SAXON superfans and collectors can purchase a digipak version of the release which includes 2002's storming set of full-volume, pedal-to-the-metal re-recorded hits "Heavy Metal Thunder". Featuring staple SAXON stormers such as "Motorcycle Man", "Strong Arm Of The Law" and "Dallas 1pm", it is a quintessential part of any collection. The standard single CD of "Unplugged And Strung Up" comes in a jewel case, and a double-vinyl gatefold sleeve version of the release is also available. The digipack is a two-disc version of the release featuring the bonus disc "Heavy Metal Thunder", and there was a digital release of the same. "Unplugged and Strung Up" track listing: 01. Stallions Of The Highway (remix) 02. Crusader (orchestral version) 03. Battle Cry 04. The Eagle Has Landed (orchestral version) 05. Red Star Falling (orchestral version) 06. Broken Heroes (orchestral version) 07. Call To Arms (orchestral version) 08. Militia Guard 09. Forever Free (re-recorded version) 10. Just Let Me Rock (re-recorded version) 11. Frozen Rainbow (acoustic version) 12. Iron Wheels (live acoustic version) 13. Requiem (acoustic version) 14. Coming Home (acoustic version) "Heavy Metal Thunder" track listing: 01. Heavy Metal Thunder 02. Strong Arm Of The Law 03. Power & The Glory 04. And The Bands Played On 05. Crusader 06. Dallas 1pm 07. Princess Of The Night 08. Wheels Of Steel 09. 747 (Strangers In The Night) 10. Motorcycle Man 11. Never Surrender