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SLAYER’s KING, ARAYA Hoping To Spend Time In Studio During Coming Weeks

Following a summer of storming through Europe, South America and Mexico while topping the bills at solo shows and major festivals, SLAYER will headline its first North American tour in two years. The five-week-plus trek will kick off on October 22 in Anchorage, Alaska, oddly enough marking the first time the band has played there since October 23, 1996. The tour will include the band's previously announced return to New York's Theatre at Madison Square Garden and the Hollywood Palladium, venues the band hasn't performed at in 25 years. SLAYER — bassist/vocalist Tom Araya, guitarist Kerry King, drummer Paul Bostaph and guitarist Gary Holt, who continues to fill in for the late founding member Jeff Hanneman — will have GOJIRA and 4ARM support on all dates. Tickets for all dates on SLAYER's U.S. tour, go on sale beginning this Friday, September 6. Log onto Slayer.net for complete on-sale dates and ticketing information. While still recovering from the devastating loss of Hanneman, Araya and King have begun to work on new material and hope to spend some time in the studio prior to this tour. With more dates to be announced, confirmed dates for SLAYER's 2013 Fall North American tour are as follows:

MOTÖRHEAD: ‘Aftershock’ Cover Artwork Unveiled

MOTÖRHEAD's 21st studio album, "Aftershock", will be released as a an official Classic Rock collectors fanpack that features the new LP in full plus a 132-page magazine that forms the "ultimate sleevenotes" to the new release, with extensive and exclusive interviews with Lemmy, Mikkey Dee and Phil Campbell. Pre-order your copy now at this location (official on-sale date is October 21). Inside is everything you need to know about "Aftershock" and the world of MOTÖRHEAD in 2013: inside the making of album, new features covering all eras of the band's career from 1975 to 2013, and tons of previously unseen pictures. Fanpack edition includes: * New album "Aftershock" * 132-page magazine * Giant double-sided poster * Exclusive MOTÖRHEAD car sticker Plus, if your order is placed before 12:00 (GMT) on Monday, September 23, your 100% official collector's fanpack will come with an exclusive personalized poster featuring your name.

OPETH Mainman Says Next Album Will Have ‘More Sinister-Sounding Riffs’

This coming Friday, September 6, Swedish progressive metallers OPETH will set sail on Melloboat 2013, a two-day cruise between Stockholm, Sweden and Riga, Latvia featuring performances by a number of progressive cult bands and heavy hitters, including Morgan Ågren (featuring a guest appearance by Devin Townsend), SAGA (Sweden), CRESSIDA, ICECROSS, TRETTIOÅRIGA KRIGET, ÄNGLAGÅRD, PANTA REI 2.0 and BADGE. The cruise will mark OPETH's very last show in support of the band's latest album, "Heritage", which came out in 2011. The group will spend the remaining months of 2013 putting the finishing touches on the writing and recording process for its next studio effort, which will be released sometime next spring. According to OPETH frontman Mikael Åkerfeldt, four songs have already been written for the upcoming CD and three others are in various states of completion. "We've been looking at [tracking the next album at] Rockfield Studios in Wales where QUEEN recorded 'Bohemian Rhapsody', but we haven't made a decision yet," Åkerfeldt tells the Swedish newspaper Expressen. "But it will be an expensive album. There's a lot going on, lots of string arrangements that we haven't had in the past." Will it be heavier or softer than "Heritage"?

PHILIP ANSELMO: ‘Without VINNIE PAUL, There’s Not Any PANTERA Reunion At All’

Fuse News recently spoke to former PANTERA and current DOWN frontman Philip Anselmo. You can watch the report below. Asked about the persistent Internet rumors about the possibility of a PANTERA reunion with Zakk Wylde (BLACK LABEL SOCIETY, OZZY OSBOURNE) filling in for the late "Dimebag" Darrell Abbott on guitar, Anselmo said: "For me, really, I think it would mean a lot for [ex-PANTERA bassist] Rex [Brown] and [ex-PANTERA drummer] Vince [Paul Abbott] and myself to sit down and, I guess, bury the hatchet where we can be on more friendly terms. And, you know, I think it would mean a lot to the fans." He added: "Without Vince, there's not any PANTERA reunion at all; it's useless. But he damn well knows my door's wide open. He needs to bust out the keys and unlock his, man. I'm waiting, but I'm not holding my breath."

CARCASS Frontman: ‘We’re Not Trying To Compete With Any Bands That Are Influenced By Us’

David E. Gehlke of DeadRhetoric.com recently conducted an interview with bassist/vocalist Jeff Walker of reactivated British extreme-metal pioneers CARCASS. A few excerpts from the chat follow below. DeadRhetoric.com: With the new album ["Surgical Steel"], what was your "Hey, this is going to work" moment? Walker: In the rehearsal room; it's that simple. Bill [Steer, guitar] actually was like, "Okay, let's try this out and if it works, great, if not, we haven't lost anything." My attitude was that it will work, like, "Don't worry, Bill." I have enough confidence in myself and him as a guitar player, and Daniel [Wilding] is a fantastic drummer and I was never under any illusion that we couldn't pull something great off. I mean, we're hungry and we have something to prove after 17 years and we don't want to disappoint people. We don't want to be one of these bands who come back after a long period of time with an album that people are like, "That album sucks!" We already made that album — it's called "Swansong". It's important we don't shit on our legacy. This is almost like making our first album. We've done this off our own volition, with our own time, and our own money. No one was dangling a carrot in front of us. We could have easily found a record deal, then made this album. But I think it was out of pride — especially from my side that it was more important we put our money where our mouth is. We kept it secret, and we didn't want to be accused of doing it for the money. DeadRhetoric.com: There's no money in metal anyway. Walker: I disagree. [laughs] Joking aside, it's easy to deal with those kind of snipes, but I don't want to give people ammunition.

ENTOMBED Signs with CENTURY MEDIA RECORDS; New Album Title, Artwork Unveiled

Swedish metal veterans ENTOMBED have inked a deal with Century Media Records. The band's tenth album, "Back To The Front", will be released on October 29 (one day earlier internationally). The CD was recorded at Studio Bohus (ABBA, EUROPE) in Kungälv, Sweden with producer Roberto Laghi (IN FLAMES, HARDCORE SUPERSTAR). The cover artwork was painted by Zbigniew Bielak (WATAIN, VADER) and can be seen below. A press release states: "Don't be afraid that it will sound like ABBA — it's 666% true to the ENTOMBED everybody loves. While not falling for total regression back to the early classics 'Left Hand Path' or 'Clandestine', expect a total bone-crushing opus that will have fans of 'Wolverine Blues', 'To Ride…' or 'Morning Star' cry tears of joy. From the morbid, pissed-off lyrics over detuned, massive riffs to the inimitable brick-heavy groove and L.G. Petrov's titanic roar, 'Back To The Front' has it all, so get ready for a stone-cold stunner!" Comments singer L.G. Petrov: "After almost seven years of studio absence, w

QUEENSRŸCHE Trial Delayed Until January

Singer Geoff Tate — who was fired from the Seattle progressive rock band QUEENSRŸCHE last year after fronting it for three decades — was granted a continuance until January 27, 2014 in his legal battle with his former bandmates over the rights to the group's name. Tate and his wife, Susan, QUEENSRŸCHE's former manager, filed a lawsuit in June 2012 asking the judge to award them the rights to the band's name in exchange for Tate paying Eddie Jackson (bass), Michael Wilton (guitar) and Scott Rockenfield (drums) the fair market value for their interests in the QUEENSRŸCHE companies. Wilton, Rockenfield and Jackson filed a countersuit against the Tates in which they accused Geoff of creative obstruction and violent behavior, and Susan Tate of questionable business practices. In their August 9 motion to continue the trial date — originally scheduled for November 18 — and amend the case schedule, the Tates requested "a minimum 180-day continuance to provide sufficient time for the parties to continue active settlement negotiations without incurring substantial trial preparation costs and, if such efforts fail, to provide sufficient time to complete discovery and properly prepare for what will be a very lengthy trial." The Tates added that "80 potential witnesses" have been identified for trial and they estimated that the parties will need to collectively take 20 to 40 depositions. Further complicating the scheduling of depositions is the fact that Tate's former bandmates will be traveling for most of September and will be unavailable for depositions. Said the Tates in their motion, which can be viewed on the The Breakdown Room web site: "There simply is not enough time to properly prepare for trial. Discovery is incomplete. Even if the parties only depose a fraction of the witnesses identified, doing so will take 20 to 30 days. Many of these witnesses are located out of state. The facts that underlie this dispute span nearly 30 years. Trial could take three to four weeks with 20 to 40 witnesses."