kvelertak

Report: Slayer + Support Acts – Athens, Greece

It was 1st of July. A new festival that we truly hope and wish to be established and continue in the future was about to begin. By arriving at Plateia Nerou where the festival took place, I got amazed by the wonderful sea-side place having the historically Averof ship in the background just opposite from the live-stage. Definitely one of the most beautiful places for an open-air festival that I have been before! But let’s get to the chase! When we arrived Kvelertak were already on stage and we should have missed the first two tracks. If you read Metalpaths.com you definitely know our sympathy for the Norwegian. Second time in Greece, they had enough audience and gave their best to rock the fuck out under the hot sun. Erlend was plowing the stage up and down spitting his guts out in every song while he also didn’t afraid to do stage-diving! Playing songs from both their two albums they had overall a good appearance with only negatives the sun and the not that good sound. It’s time for Napalm Death to hit the stage and the British need no introductions. I was really expecting their appearance cause I haven’t seen them before (how the fuck did that happen?). However I couldn’t enjoy the show and unfortunately I can’t even describe it because I would injustice the Napalms. It started to blow and that had as a result a really bad sound which in comparison with some technical problems

Video: KVELERTAK Hits New York City

Video footage of Norwegian rockers KVELERTAK going out drinking, getting tattooed, and playing a sold-out show at New York's Studio at Webster Hall can be seen below. Kaaos TV conducted an interview with Norwegian rockers KVELERTAKbefore their June 14 performance at the Provinssirock festival in Seinäjoki, Finland. You can now watch the chat below. KVELERTAK's sophomore album, "Meir", topped the official chart in Norway. The CD, which sold 1,800 copies in the United States in its first week of release, was issued on March 26 via Roadrunner Records. It was produced by CONVERGE's Kurt Ballou and features cover artwork byJohn Dyer Baizley.

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