Manos Spanos

UDO DIRKSCHNEIDER Says MARK TORNILLO Has ‘Problems’ Singing Old ACCEPT Songs

BigMusicGeek.com recently conducted an interview with former ACCEPT and current U.D.O. frontman Udo Dirkschneider. Several excerpts from the chat follow below. BigMusicGeek.com: At what point did you realize Stefan [Kaufmann, guitar] wasn't going to be able to participate in the recording of [U.D.O.'s] "Steelhammer" [album]? Were there any warning signs that the health issues he was experiencing were going to be so bad? Udo: It's a long story. He already had some big problems. It all started when we did the "Rev-Raptor" album. We had to stop for three months because he couldn't move anymore. He was going to the hospital in order to recover, and then, when we started touring, he was taking these really heavy pills. You could have killed an elephant with them. I've known Stefan for forty years and I saw that he couldn't really move on stage. He had to get into these crazy positions so it wouldn't hurt. He was always in pain, so he wasn't in a good mood. Sometimes, he would just start shouting. I thought to myself, "This is not the real Stefan." When the tour was over, I said, "Stefan, it's better for you to stop. I don't want to see you in a wheelchair." We talked about many, many things, but in the end, he said to me, "I think you're right. It's better to stop doing this." So I said, "You are welcome to produce the album and we can write some songs together," and that's when he said, "At the moment, I'm not in the mood to do this." It wasn't easy for me because I've been working together with him for so long, but sometimes you have to do things you don't want to. In the end, I think it was the best thing for him and he's now in better shape. He is producing a band in Switzerland, so I think he's back.

MACHINE HEAD Frontman Congratulates AVENGED SEVENFOLD On Success Of Their ‘Covers Album’

MACHINE HEAD frontman Robb Flynn's latest installment of his online blog, "The General Journals: Diary Of A Frontman... And Other Ramblings - Life Affirming", reads as follows: "Congratulations to AVENGED SEVENFOLD on their latest 'covers album' coming in at #1. "Who knew that re-recording METALLICA, GUNS N' ROSES and MEGADETH songs could be such a worldwide hit!!?? Ba-dap Psssssss!! "I'm on fire!! "In case you've been living under a rock, AVENGED came in at #1 in multiple countries throughout the world. I'm happy for them. Good band. And while I like the new record, and really dug the last record 'Nightmare', hopefully we're all coming down from our post-orgasmic #1-album-bliss, because it's time to call a spade a spade!! It's time to poke a little fun at A7X, cause there's some blatant jackery goin' on there wiggas!! "So here are my top 10 jokes about the new AVENGED SEVENFOLD record: 10) AVENGED SEVENFOLD - 'Now with even MORE METALLICA' 9) AVENGED SEVENFOLD to change name to "SAD BUT TWO" "Number of 'spurting penises' drawn on AVENGED logos suddenly skyrockets 7) Eyeliner sales skyrocket as thousands of heartbroken goth girls realize 'Hail To The King' is actually 'that ugly AC/DC band's song 'Thunderstruck'.' 6) After hearing 'Heretic', Dave Mustaine flips out, blames Obama, METALLICA and UFOs for the A7X stealing 'Symphony Of Destruction'. 5) After seeing how much success the band BUSH had stealing other band names for song titles, A7X decided to steal 'In Flames' for latest chorus. Future chorus lyrics include 'Tr-vi-um' and 'Kill-switch En-gage' 4) Upon hearing latest album, Lars Ulrich goes all gangsta, breaks bottle of Dom Perignon on M. Shadows head, while his 11ft girlfriend put Shadows in headlock, as he screams in Shadows' face, 'You're gonna rip off 'St. Anger' next right, HUH? You're gonna rip off 'St Anger' NEXT RIGHT? HUH, HUH, HUH!!"

SEBASTIAN BACH Says He Was ‘Asked’ To Replace VINCE NEIL In MÖTLEY CRÜE

Former SKID ROW singer Sebastian Bach says that he was asked to replace Vince Neil in MÖTLEY CRÜE but that he turned down the opportunity because he thought his situation at the time was better. Neil was fired from MÖTLEY CRÜE in 1992 due to personal differences and was replaced by John Corabi. With Corabi on vocals, MÖTLEY CRÜE released one critically acclaimed full-length CD, which ended up being a commercial failure in the wake of grunge despite a Top-Ten placing on the album chart. Asked by a fan on Twitter if he was ever considered to replace Vince in MÖTLEY CRÜE, Bach replied that he was not just "considered" but that he was actually "asked" by CRÜE if he wanted to join the band as its new lead singer. He then added that the story of how close he came to becoming a member of MÖTLEY CRÜE might be included in his upcoming autobiography, which he is currently working on and for which he recently revealed that he had "a big offer from a big book company." When another fan pressed Bach on why the singer turned down the offer to join MÖTLEY CRÜE, Bach replied: "The short answer is that I actually thought at the time this band SKID ROW was better." Sebastian then added, "Gee, I sure know how to pick 'em." In a November 2012 interview with the "Eddie Trunk Rocks" radio show on New York's Q104.3 FM, Bach stated about his former band: "I will always be the singer of SKID ROW, no matter what. There's no other guy. It's like… John Corabi, I love ya — it's great — but where's Vince? I mean, that's the way it is. Walk down the street with me and count

AYREON: ‘The Theory Of Everything’ Cover Artwork, Track Listing Revealed

Dutch guitarist/composer Arjen Lucassen has revealed the cover artwork and track listing for the new AYREON album, "The Theory Of Everything", The artwork was once again created by Belgian artist Jef Bertels, who has an incredible and distinct fantasy/sci-fi style, and can be seen below. "The Theory Of Everything" track listing: Disc 1 Phase I: Singularity 01. Prologue: The Blackboard 02. The Theory Of Everything Part 1 03. Patterns 04. The Prodigy's World 05. The Teacher's Discovery 06. Love And Envy 07. Progressive Waves 08. The Gift 09. The Eleventh Dimension 10. Inertia 11. The Theory Of Everything Part 2

GLORIOR BELLI To Release ‘Gators Rumble, Chaos Unfurls’ Next Month

France's avantgarde black metallers GLORIOR BELLI will release their fifth album, "Gators Rumble, Chaos Unfurls", on October 29 in Europe and November 12 in North America via Agonia Records. Climbing the ladder of innovation and artistic development, GLORIOR BELLI managed to work out a very own sound and view in the often stiff frames found within the black metal genre. Descriptions such as "avant-garde black metal bluesmen" (Pitchfork) or "bluesy doom-sludge" (MetalSucks) are only the two sides of the same coin that is about to reveal a new flip. "Gators Rumble, Chaos Unfurls" is yet another milestone of an unusual relationship between southern stylistics and crushing heaviness, all tied up and sealed by a twisted yet still refreshing take on music, straight from the suburbs of Paris. The follow-up to 2011's "The Great Southern Darkness" (Metal Blade) will be available as digipack CD, 12-inch vinyl and digitally. "Gators Rumble, Chaos Unfurls" track listing:

SLAYER Guitarist To Appear At ‘Alberta Bound Tattoo & Arts Festival’

SLAYER guitarist Kerry King will make a special appearance at this year's Alberta Bound Tattoo & Arts Festival in Calgary, Alberta, Canada. King will be on hand for autographs and photo ops on Sunday, October 20 at The Stampede BMO Centre from 1 p.m to 5 p.m. Organizer Steve Peace says this is the debut of a new attraction at the show which will bring true metal icons to the last day of every Alberta Bound Tattoo & Arts Festival. For more information, go to this location.

MIKE PORTNOY ‘Couldn’t Relate’ To DREAM THEATER’s New Material

In the October 2013 issue of Modern Drummer magazine, drummer Mike Portnoy (THE WINERY DOGS, DREAM THEATER, AVENGED SEVENFOLD, ADRENALINE MOB) spoke about how the combination of his obsessive-compulsive disorder (OCD) and having a memory unlike most other people's would make him an obvious choice for taking on more of a leadership role in a band setting. "With DREAM THEATER, I very much ran the show because my OCD allowed me to handle the additional roles," he explained. "Luckily, those guys [the other members of DREAM THEATER] always trusted my direction. OCD can be a detriment, though. I know it sometimes makes my wife crazy, and I'm sure it must have driven the guys in DREAM THEATER crazy at times too, but they rolled with it. " He continued: "It was never about being a control freak because I was an egomaniac. It was just my obsessive-compulsive nature. "When I first met [future DREAM THEATER bandmates) John Petrucci and John Myung when we were eighteen years old, I think they immediately recognized that part of my personality, and they were very comfortable with that dynamic. John Petrucci and I balanced each other out through the years with our strengths and weaknesses. He never cared much for all the little details and organizational stuff, and I never cared about the business or financial aspects, which he was very good at.

MIKE AMOTT Had ‘No Interest Or Belief’ In Making New CARCASS Album

In the October 2013 issue of Decibel magazine, bassist/vocalist Jeff Walker and guitarist Bill Steer of reactivated British extreme metal pioneers CARCASS spoke about the band's split with guitarist Michael Amott and drummer Daniel Erlandsson, who had been touring with CARCASS since the group's reunion was announced in 2007. "In all honesty, once Michael had stepped out of CARCASS again, that's when we could entertain the idea of doing the new record," Steer revealed. "He'd made it very clear from the outset that he'd no interest or belief in there being a new CARCASS record. It's really hard to tell if maybe he felt we were incapable of doing it, or if maybe he was just speaking out of loyalty to [his main band] ARCH ENEMY. I don't know. But once the reunion shows were over, Michael basically said, 'Look, I'm gonna be busy for a few years — you guys do whatever you're gonna do. That meant Jeff and I could talk seriously about doing new material, because neither of us were being pulled in another direction like Michael was. CARCASS had become our main band and had priority treatment." When Amott split, Erlandsson followed. "It's very much a package deal with those two because they're in the same band, and they've invested so much in it," Steer offered. "There's no way that either Jeff or I could condemn them for doing that because ARCH ENEMY is their thing — especially for Michael. It's a band that's made its name from his direction — obviously his lady [ARCH ENEMY singer Angela Gossow] is involved, and until recently his brother was. So, it's always gonna mean more to him than CARCASS, and we can understand that." "I wouldn't expect any different, honestly," Walker concurred. "ARCH ENEMY is Mike's band. So are SPIRITUAL BEGGARS. And CARCASS is our band. It just doesn't mean as much to him as it does to me and Bill. We've been doing this since we were 17. The best way I can put it is this: Any band that Bill or I play with — whether it's BRUJERIA, ANGEL WITCH or GENTLEMANS PISTOLS, CARCASS is our priority. With Mike, this would never be his priority." According to Walker, Amott changed his mind once he heard that Jeff and Bill were actively working on new material. "The reality is that Mike was very keen, more than anyone, for CARCASS to reunite," Jeff said. "A few years later. he wasn't keen for the reunion to continue, and he wasn't keen on the idea of CARCASS doing a new album. This is despite the fact that he contacted me, after we were a year into the songwriting, because he heard we were doing a new album, and indicated that he wanted to be involved. I think Bill had an exchange with Mike about this and gave Mike an opportunity to put his cards on the table, [but] it became clear that Mike wasn't really interested enough to walk away from any of the projects that he's involved in . And don't get me wrong — we've never expected that of anyone . But I think it could be fitted around each other's projects. I still do BRUJERIA, you know?"

BLACK SABBATH’s IOMMI Still Doesn’t Know Exactly Why BILL WARD Pulled Out Of Reunion

Glenn BurnSilver of the Phoenix New Times recently conducted an interview with legendary BLACK SABBATH guitarist Tony Iommi. A couple of excerpts from the chat follow below. Phoenix New Times: How is playing together — recording together — after so many years of tension and not being in the studio? The last album with the original lineup was in 1978...[Singer] Ozzy [Osbourne] was booted out in 1979... Iommi: Tensions? The tensions over the years have mainly been about business. It's not been personal at all. We always got on well on a personal level. It's been going really good. It's just a different attitude now. When we got back together to record this album ["13"], everybody had a different attitude toward what we were doing this time. We wanted to make an album together. We all really appreciated each other and respected each other. That's really the only way to go into it — a full band commitment — and everybody was ready to put everything into it. We did try back 12 years ago, and nobody could settle on it then. It wasn't the right time, there were to many things going on. Ozzy was doing MTV, so it just didn't work then. We weren't going to do it until everybody was fully committed, and that was this time. [Producer Rick] Rubin was interested in doing the album [in 2001]. We played him some tracks but that's as far as we got with it. We pulled the plug on it. We never got into the studio. We'd just played him some tracks." Phoenix New Times: Where do you rank "13" among the many BLACK SABBATH albums? Iommi: Every album you do means something of that time period. Certainly the early stuff I like. I liked the stuff we did with [Ronnie James] Dio. If you try to rank it against with the Ozzy stuff, I think it ranks right up there. Phoenix New Times: Where's [original BLACK SABBATH drummer] Bill [Ward]? I know all of you have worked together on and off since that 1997 reunion, but is Bill even able to perform right now?

KORN: ‘Never Never’ Video Released

The official video for "Never Never", the first single from KORN's upcoming 11th studio album, "The Paradigm Shift", can be seen below. The track arrived online and at radio stations on August 12 and singer Jonathan Davis shared some insight with The Pulse Of Radio into what it's about. "I mean, it's about relationships," he said. "it's about anything. It seems like you try and try to make things work and you repeatedly fail at it. It's just like, throw your hands up in the air and give up, and it's that kind of vibe. I was feeling that towards life, basically." "The Paradign Shift" is due out on October 8. The follow-up to 2011's "The Path Of Totality" features the return of guitarist Brian "Head" Welch to the lineup after more than eight years away. His last album with the band was 2003's "Take A Look In The Mirror". Davis told The Pulse Of Radio what the experience was like having Welch back in the studio, making this record extra special. "'Untouchables' used to be my favorite, but this one's mine now," he said. "You know, it's just all those years of work and being able to be in a band this long with the guys. And having Head back bringing, you know, that old chemistry back with him with Munky on the rock side and I was on the electronic side. It was good having the compromise on both sides. It was just good for the creative process, I think."The official video for "Never Never", the first single from KORN's upcoming 11th studio album, "The Paradigm Shift", can be seen below. The track arrived online and at radio stations on August 12 and singer Jonathan Davis shared some insight with The Pulse Of Radio into what it's about. "I mean, it's about relationships," he said. "it's about anything. It seems like you try and try to make things work and you repeatedly fail at it. It's just like, throw your hands up in the air and give up, and it's that kind of vibe. I was feeling that towards life, basically." "The Paradign Shift" is due out on October 8. The follow-up to 2011's "The Path Of Totality" features the return of guitarist Brian "Head" Welch to the lineup after more than eight years away. His last album with the band was 2003's "Take A Look In The Mirror". Davis told The Pulse Of Radio what the experience was like having Welch back in the studio, making this record extra special. "'Untouchables' used to be my favorite, but this one's mine now," he said. "You know, it's just all those years of work and being able to be in a band this long with the guys. And having Head back bringing, you know, that old chemistry back with him with Munky on the rock side and I was on the electronic side. It was good having the compromise on both sides. It was just good for the creative process, I think."

Manos Spanos

Manos Spanos (Metalpaths' co-editor-in-chief), eight years in this site but still can't be characterised as a metalhead.