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SEBASTIAN BACH: New Solo Album Title Revealed
Former SKID ROW singer Sebastian Bach has set "Give 'Em Hell" as the title of his new solo album, tentateively due in March via Frontiers Records. The follow-up to 2011's "Kicking & Screaming" was once again produced by Bob Marlette, who has previously worked with ROB ZOMBIE, BLACK SABBATH and SHINEDOWN, among others.
EPICA Completes Recording Sixth Album
Dutch female-fronted symphonic metallers EPICA have finished recording their sixth album for a spring release via Nuclear Blast. The follow-up to "Requiem For The Indifferent" was produced by Joost Van Den Broek (the former AFTER FOREVER and AYREON keyboard player who has previously worked with REVAMP and STREAM OF PASSION).
Says EPICA: "We had an awesome time at the Sandlane recording facilities together with Joost Van Den Broek and we can't wait for you guys to hear the final results!"
The band will return to the stage on April 30 for a CD-release show at 013 in Tilburg, The Netherlands.
After taking a break from the road due the pregnancy of lead singer Simone Simons, the release of a new concert DVD, "Retrospect", as well as the writing and recording of the band's upcoming album, the sextet will put on a memorable show, with plans to perform both old and new songs.
EPICA celebrated its 10th anniversary with a one-night-only event, dubbed "Retrospect", on March 23, 2013 in Eindhoven, The Netherlands. The band was accompanied by the seventy-piece Reményi Ede Chamber Orchestra and the Miskolc National Theatre Choir, playing an unforgettable three-hour best-of set.
On November 8, 2013, Nuclear Blast released "Retrospect" as a deluxe hardcover book with 48 pages, both as a 2DVD/3CD and 2Blu-ray/3CD version.
"Retrospect" features this massive performance in its entirety, as well as exclusive interviews with all band members and behind-the-scenes footage from the show.
ZAKK WYLDE Says BLACK SABBATH With RONNIE JAMES DIO Is ‘Not BLACK SABBATH’
Greg Prato of Songfacts recently conducted an interview with Zakk Wylde (BLACK LABEL SOCIETY, OZZY OSBOURNE). A couple of excerpts from the chat follow below.
Songfacts: I think a band that never gets the credit is the original KISS lineup, which wrote some really great songs as well.
Zakk: I was never a KISS guy growing up as a kid, but my friends were just complete KISS freakos. They had the dolls, the whole nine yards. Nick [Catanese] is a complete KISS freak and so is J.D. The thing that got him into playing bass guitar was Gene Simmons. He got into Jaco Pastorius and all the cats, every insane bass player; Victor Wooten and all the guys, but that was later on. But his introduction, the reason why he wanted to play bass was because of Gene Simmons, because he loved KISS. But I was always more of a SABBATH guy and ZEPPELIN and stuff like that, and I dug Elton John. If you listen to those KISS records the production on those records is phenomenal. And they're great songs. They really are. It's great classic '70s riffs and just well structured songs. Very hooky songs.
Songfacts: How would you say that you write your best songs?
Zakk: I don't think it's so much writing. I remember reading this thing on Robert Plant, and he goes, "I don't think it's so much you write them — you receive them." It's like God is the radio station that it's all coming from, and it's just a matter of tuning in until you hit His frequency. A lot of times I'll just sit in the morning, having a cup of java just chillin' out. If I sit at the piano or I sit at the acoustic guitar and I start writing something mellow, it's going to be what it's going to be. But if I sit behind an amp, between a Marshall, that always dictates what frame of mind I'm going to be in. If I sit down with an electric guitar what's going to come out are SABBATH/ZEPPELIN type riffs, but if I'm sitting behind a piano late at night, I might write something like "Desperado". You're not going to write "Desperado" between a wall of Marshalls and thumping, crushing volume.
Songfacts: With those first two Ozzy solo albums ["Blizzard Of Ozz" and "Diary Of A Madman"], how much do you think that Bob Daisley and Lee Kerslake played a part in the songwriting? They seemed to be a pretty big part of the songwriting with those albums.
Zakk: Yeah. Bob's always been great with Oz. Just a great pairing like the Elton/Bernie Taupin thing. Bob's a great lyricist. He worked with us on "No Rest For The Wicked", he worked on "No More Tears". So yeah, I think Bob's great.
Songfacts: I've always wondered what that original "Blizzard Of Ozz" lineup would have gone on to do if they had stayed together.
Zakk: I think that original lineup was phenomenal. You can't even argue that. Just listen to the records. They're timeless, classic albums. Hands down, that line-up was fuckin' sick. When they were making the record, they didn't know. Randy [Rhoads] didn't know any of the guys. Randy never met Bob Daisley or Lee Kerslake before. I'd mean, if me and you took four complete strangers, stuck 'em in a room, and then they ended up coming out with two amazing records — what are the chances of that happening?
Songfacts: And I've always wondered what the second lineup with Ozzy, Randy and also Rudy Sarzo and Tommy Aldridge would have come up with in the recording studio.
Zakk: I think it would have been a completely different thing. How could it not have been? Look at it like the Patriots — Ozzy and Randy, would be [Bill] Belichick and [Tom] Brady, but now we're going to have different wide receivers, different running backs, different defenses. Obviously, we don't have to worry about Captain America and Father Belichick, since we know what they're going to deliver. But the rest of the team around it, without [Wes] Welker there, let's see what happens now. Without a doubt, even when I play with BLACK LABEL, when we have different guys I play with, everyone always brings their own magic, their own flavor to the soup, hands down. You listen to BLACK SABBATH with Ronnie James Dio in it, and it's not BLACK SABBATH. They should have just called it HEAVEN & HELL right from the beginning. Because you listen to that "Heaven and Hell" album, that doesn't sound anything close to BLACK SABBATH. I mean, that sounds about as much like BLACK SABBATH as "Blizzard Of Ozz" sounds like BLACK SABBATH. If you were to play BLACK SABBATH for me — and I'm a huge SABBATH freako — and then with Father Dio over there, I'd be going, "Oh, cool, what band is this? This is good stuff." I mean, the songs don't even sound BLACK SABBATH-y. I mean, "Neon Knights", could you picture Ozzy singing over that song?
Songfacts: No, I can't.
Zakk: I can't either. It's weird. It's a whole different band. But like you said, there are different dynamics by bringing different people in, especially if it's a songwriting team. With NINE INCH NAILS, it's all Trent Reznor. So when we get a new record from NINE INCH NAILS, it depends on what side of the bed Trent's waking up on and what he's been eating lately and what he's been into. Because he's preparing the whole meal. It's not like a songwriting team where everybody's throwing stuff at it: you came up with the pre-chorus, I had the main riff, Mike came up with that middle bit right before the guitar solo, and then the ending bit Joey came up with. That's like a band dynamic right there. But if it's a NINE INCH NAILS thing, that's all Trent's everything. He's the Salvador Dali of the whole thing. And then talking about songwriters, when you take Paul McCartney and you have him in WINGS, that's a completely different thing. His songwriting throughout was insanely good, as well. "Maybe I'm Amazed" and everything like that can hang with all the BEATLES stuff he wrote.
Read the entire interview from Songfacts.
MACHINE HEAD’s ROBB FLYNN Says New Songs Are ‘Definitely’ Moving Band’s Sound Forward
San Francisco Bay Area metallers MACHINE HEAD will enter the studio in February to begin recording their new album for a late summer release via the band's new label, Nuclear Blast Entertainment. Tentative songtitles set to appear on the CD include "Killers & Kings", "Beneath The Silt", "Ojos De La Muerte", "Sail Into The Black" and "Night Of The Long Knives".
Speaking to U.K.'s Metal Hammer magazine, MACHINE HEAD guitarist/vocalist Robb Flynn stated about the band's new material: "It sounds like MACHINE HEAD! It's definitely moving forward, which I feel like we're probably always gonna do.
"We're not a band that ever looks back. We do our thing and try to take the life experiences that we have and the musicianship that we've evolved and try to use it. Obviously, we have our sound and we have the MACHINE HEAD patented harmonics, the downtuned riffs and I sing the way I sing.
"I think Bob Dylan said it best: 'You just find new ways to say the same thing.'"
Speaking about some of the specific tracks and the lyrical themes covered on the new album, Flynn said: "I've got some pretty cool lyrics ready. There's a song called 'Night Of The Long Knives', and it's pretty fucked! It's about the Manson murders, and the lyrics are really dark and vicious.
"We've found some new twists to give to the MACHINE HEAD sound and some new fire and excitement."
Asked what the band's main aims were when they started composing music for the new CD, Flynn said: "Well, it's nice to try and have a plan, but music has a way of unravelling over time! [Laughs] You've just got to roll with it.
"With [2007's] 'The Blackening', I'd love to say I had this grand vision of nine- and 10-minute songs, but the first four songs we wrote were the four shorter songs on the record. For months, there was no indication whatsoever that we'd have 10-minute songs. That stuff came later.
"Human nature wants to control and dictate where things will go, but you can't. It won't let you! The more you try, the more it goes, 'Fuck you.' It's going some other way!"
Regarding whether the songwriting process comes more easily after more than two decades as a band, Flynn said: "I just try and do my thing. With this record in particular, I've tried to discipline myself more with routine, writing a little bit every day, but for months I was in a riff rut. Every riff I wrote fuckin' sucked! Then we took a two-week break and I was writing my Facebook journals about the 'Through The Ashes Of Empires' [MACHINE HEAD's 2003 album] story, and that cleared my head. At the end of those two weeks, the floodgates opened and all hell of riffs poured out. I was so stoked! This torrent of riffs, this molten hot lava, was at my fingertips. It's such a good feeling."
Flynn also revealed that MACHINE HEAD has "definitely got some ideas" for the artwork and imagery for the band's new album, but added: "It's weird, though, because who the fuck even buys albums anymore?
"An album cover is a necessary thing but for so many people it's justa little one-and-a-half-inch square on an iPhone.
"We're going to have a lot of worldwide special editions, so for the people who are still into that stuff, we'll have some next-level shit. Especially with our new label, Nuclear Blast, they can do all of that stuff. They're not afraid to do all these crazy, over-the-top special-edition things and big two-foot metal cases and all that.
"I'm a super-nerd collector and that shit rules to me!"
MACHINE HEAD's most recent studio release, 2011's "Unto The Locust", entered The Billboard 200 chart at position No. 22 — putting them in the Top 25 for the first time in the band's history.
OPETH Mainman On Next Album: ‘It’s A Metal Record And A Progressive Record And Something Else Too’
Guitarist/vocalist Mikael Åkerfeldt of Swedish progressive metallers OPETH spoke to U.K.'s Metal Hammer magazine about the progress of the songwriting sessions for the band's follow-up to 2011's "Heritage".
"I have eight songs written and the direction is going straight into the territory of 'all over the place!'" he laughed. "I think that's our strength, that we can do all these different things. We have a couple of calm songs, a couple of really heavy songs, one proper heavy metal song and I have one epic old-school OPETH song that reminds me of the first two records, with lots of riffs stacked up! I'm really happy with it all. I think we have something big on our hands this time."
The last OPETH album, "Heritage", received mixed reactions, with some fans claiming that the group had detached itself from its death metal past and gone for a more experimental approach, changing its sound in various new ways.
As always, Mikael is not at all bothered about how his band's new material will be received.
"I can't say if 'Heritage' haters will love or hate this album," he told Metal Hammer. "I don't want to accommodate anyone, Like, 'Oh, sorry guys! We made a mistake! We'll make a proper record for you this time so you're all happy!' I don't think along those lines. This isn't going to be a death metal record. If you know me and what I like, it won't be such a big surprise. It's a metal record and a progressive record and something else too. Each song is representative of OPETH. It's what I want to listen to, so it's business as usual."
Åkerfeldt revealed to Decibel magazine in a separate interview that he plans to enrich at least a few of the new OPETH tracks with strings.
"Some of these things could easily be done with synthetic sounds or effects," he said, "but recording the STORM CORROSION LP with Steven Wilson made me realize what a massive difference it can mean to incorporate the real shit. I'm semi-pretentious in my songwriting and sometimes I go all in. I think it's time for 'all in' with strings and the full monty. Hopefully it won't be a mess."
One of the songs that will appear on OPETH's forthcoming album was previously described by Åkerfeldt as a "crazy rip-off" of Italian prog outfit GOBLIN, which formed in 1972 and ran for ten years before splitting (the band has since reformed).
"It's a jam I came up with during the MASTODON/GHOST tour," he told Decibel, "that we ended up soundchecking. After a few days, you'd hear people in the corridors humming it. It's a fucking hit! But basically it's a not-so-subtle headbanging-type nod in GOBLIN's direction. And to avoid confusion, the song is even called 'Goblin'. My rip-off deteriorates mid-song and becomes fusion-esque darkened prog rock like MAHAVISHNU or ELP (yikes!). But it swings! It really does."
Speaking to the Swedish newspaper Expressen in September, Åkerfeldt stated about OPETH's plans for the upcoming CD: "We've been looking at [tracking the next album at] Rockfield Studios in Wales where QUEEN recorded 'Bohemian Rhapsody', but we haven't made a decision yet. But it will be an expensive album. There's a lot going on, lots of string arrangements that we haven't had in the past."
Asked if the forthcoming effort will be heavier or softer than 2011's "Heritage", Mikael said: "Maybe a little bit heavier. Not death metal heavy, but hard rock/heavy metal heavy. There's also lots of progressive elements and acoustic guitars, but also more sinister-sounding riffs."
Åkerfeldt also revealed that he was going to produce the new OPETH album himself, explaining: "I love the way DIO's 'Holy Diver' sounds, this early-'80s sound where you can still hear the '70s, but the production is heavier. Right now I'm into having a similar production that isn't retro but it still sounds like real instruments and it's heavier than 'Heritage'."
"Heritage" sold 19,000 copies in the United States in its first week of release to debut at position No. 19 on The Billboard 200 chart. The band's previous studio CD, 2008's "Watershed", opened with more than 19,000 units to land at No. 23.
SLAYER’s KERRY KING: I Can’t Pretend To Be JEFF HANNEMAN
The February 2014 issue of U.K.'s Metal Hammer magazine features an interview with SLAYER guitarist Kerry King about the progress of the songwriting sessions for the band's next album — SLAYER's first following the passing of guitarist, and one of key songwriters, Jeff Hanneman.
"I've got assloads of songs!" King stated about SLAYER's next CD. "I mean, I'm more prepared than I've been before any record, working on this material for of three years. Me and Paul [Bostaph, drums] have demoed 11 songs. I'm sitting on 14 or 15 songs and I've got seven complete with lyrics already. I'm in great shape!"
Asked if he has found himself tempted to write the kind of songs that Jeff might have contributed to an album, Kerry said: "I think that would be shooting myself in the foot. I can't pretend to be Jeff. We both learned from each other in 30 years of writing together. As far as going out of my way to write something that Jeff might've done? I won't do that. If it happens to end up sounding that way, good for me!"
According to King, it's still undecided as to whether any of Hanneman's previously unused ideas will make it to the next SLAYER album. "There was a song we finished on the last record, but I know for a fact [Jeff] wanted to rewrite the lyrics on, so that one got to deconstruct and make better," he said.
"I've said, and I'll continue to say, that if we use any of Jeff's songs, I don't want it to come out just because Jeff wrote it. I want it to come out because it's awesome," he added. "We've just got to put out something that I think Jeff would be proud of."
Regarding what fans can expect from the new SLAYER material, King said: "I've got a surprising amount of heavy stuff for me. I do tend to lean on the fast side, but I have some exceptionally heavy tunes, Like, 'Wow, man, where did that come from?' I expect my stuff to be angry and fast, but it's all over the map. I'm stoked. We'll have enough so we can pick great stuff whether we use any of Jeff's material or not. It should add up to as good a record as we can hope for with one of our original songwriters being gone."
King also spoke about SLAYER's current touring lineup, which includes drummer Paul Bostaph and guitarist Gary Holt (also of EXODUS).
"Not to toot my own horn, but we sound fucking great right now," he said. "It's a juggernaut. Paul's a machine. He always has been. Also he's been here before, so that made this transition as easy as it could be as well as for the fans because I think they always felt he was part of the band, even t hough he wasn't for many years."
Asked if he is looking forward to shutting people up with the new SLAYER album, King said: "Oh, yeah, but only because people expect us to fail.
"I'm very stoked about the stuff we're gonna be putting out," he added.
"In a perfect world, which is never what happens in SLAYER, me and Paul plan on continuing to play to keep our chops up, and if we can get everybody on board, I want to start in January and have a record out before the summer."
LAMB OF GOD’s MORTON Sitting Out European Tour; BETWEEN THE BURIED AND ME’s WAGGONER Filling In
Guitarist Mark Morton of Richmond, Virginia metallers LAMB OF GOD is sitting out at least the first few shows of the band's current European headlining tour due to a "family emergency." Filling in for him is Paul Waggoner of BETWEEN THE BURIED AND ME.
Fan-filmed video footage of the first show of the European tour, which took place last night (Monday, January 6) in Vienna, Austria, can be seen below.
Prior to performing the song "Walk With Me In Hell" at the Vienna concert, LAMB OF GOD frontman Randy Blythe explained Morton's absence, telling the crowd, "You may have noticed Mr. Mark Morton is not here with us tonight. He had a family emergency, so he had to stay home. It's family first for this band. We apologize, but he had to be with his family. Luckly, we have a very big music family, so we've got our friend Paul Waggoner from BETWEEN THE BURIED IN ME [playing with us tonight]."
LAMB OF GOD recently entered into a worldwide distribution deal with Specticast (LED ZEPPELIN's "Celebration Day", Paul McCartney's "Rock Show") for their Don Argott-directed ("Last Days Here", "Art Of The Steal", "School Of Rock") feature film "As The Palaces Burn". Filming for the movie began in 2012 and concluded in March of 2013.
"As The Palaces Burn", which should not be confused with the making-of documentary packaged with the recent re-release of the 2003 LAMB OF GOD album of the same name, was conceived to be a documentary focused on the power of music and its impact on cultures around the world and its ability to bring together people of all nationalities regardless of religious or political differences. After a worldwide casting call, filming took place in Colombia, Venezuela, Israel, India, and the United States. As filming reached its conclusion, the documentary was forced to take a major turn when the band's lead singer, Randy Blythe, was arrested in the Czech Republic and charged with the murder of a fan in June 2012. Granted unique access to Blythe's saga, Argott's filming covered Blythe's 38-day imprisonment in Prague, his release and the band's return to live performances, and finally Blythe's trial for murder in Prague in February 2013.
BLACK LABEL SOCIETY To Release ‘Catacombs Of The Black Vatican’ Album In April
The new BLACK LABEL SOCIETY studio album, "Catacombs Of The Black Vatican", will be released in Europe on April 7 via Mascot Label Group and one day later in North America through eOne Music. The band's mainman, Zakk Wylde, joked in a recent interview that the forthcoming CD will be "all completely the same as the last nine records, except just different songtitles."
Mascot Label Group is honored to welcome BLACK LABEL SOCIETY to the label, having recently signed the band exclusively for European territory. The group will join, among others, JOE BONAMASSA, VOLBEAT, GOV'T MULE, BETH HART, VANDENBERG'S MOONKINGS, BLACK COUNTRY COMMUNION and KENNY WAYNE SHEPHERD on the Rotterdam, The Netherlands-based record company's roster.
BLACK LABEL SOCIETY recently amicably parted ways with longtime guitarist Nick Catanese and replaced him with Dario Lorina (LIZZY BORDEN).
"Catacombs of the Black Vatican" is BLACK LABEL SOCIETY's first new studio album since 2009's "The Order Of The Black", which debuted at No. 4 on The Billboard 200 chart.
BLACK LABEL SOCIETY's new live DVD, Blu-ray, and Digital Video, "Unblackened", was released on September 24, 2013 by Eagle Rock Entertainment. Wylde's label home, eOne Music, also released the audio version of the "Unblackened" DVD under the same name.
ORPHANED LAND’s YOSSI SASSI Quits Band
Guitarist Yossi Sassi, founding member and main composer of Israel-based oriental folk metallers ORPHANED LAND, has announced his departure from the band.