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MAX CAVALERA: SEPULTURA Was ‘Taken Hostage’ By ANDREAS KISSER

Thomas Stanley Orwat Jr. of RockMusicStar recently conducted an interview with Max Cavalera (SOULFLY, SEPULTURA, CAVALERA CONSPIRACY). A couple of excerpts from the chat follow below. RockMusicStar: You have recently written an autobiography. When will it be released? Max: Yes, it's coming out in February in America. It's called "My Bloody Roots", and it's out in Brazil already and Poland, and it's going to come out in America in February. I've been working on this book for the last three years. I did thousands of interviews, and Dave Grohl [FOO FIGHTERS, NIRVANA] did the introduction of the book. He wrote a really cool introduction; it's really funny. It's a great book; it's got a lot of cool people in it, like Mike Patton [FAITH NO MORE], David Vincent [MORBID ANGEL], Sharon Osbourne. It's an amazing book. It's gonna tell my whole story. It's gonna tell about the split; I finally tell the truth about why I left SEPULTURA. All the stuff that happened, all the tragedies that happened, and then there's some funny stuff, like puking on Eddie Vedder [PEARL JAM], and shit that happened in my career and my life. They're all crazy stuff. Everything's gonna be in the book, and it's going to be great for people to read that. RockMusicStar: Wow, I can't wait. That's awesome. How is it doing in Brazil? Max: It's doing really good, man. It's gonna probably make the best-selling list of the Brazilian books, and we're very excited about that. People in Brazil are very excited, they are reading the shit out of it. I get a lot of comments on Facebook, from my wife, she does Facebook, and gets a lot of people talking about how much they love the book, and has really, really great reviews. A lot of people especially like the part when I talk about the split from SEPULTURA, because I really explains my side of the story, about how I really felt, and why I left my own band. And a lot of people, after they read that, they will understand. And, for them, it makes sense that I did what I did, that I left SEPULTURA. They would have done the same. After they read it, they understand why I did it, and it makes sense after you read what I said about the split, you'd think that it was the rational thing to do, for me, was to leave them, you know. Even though it was my own band from the beginning, it was kind of like, all of my integrity, you know, and that's why I decided to leave. It's going to be great. It tells all of those stories, and puts kind of a final stamp on the whole "SEPULTURA split" shit, and talks about SOULFLY and how it was created, and how cool SOULFLY was building over the years, and the cool people I worked with. Sean Lennon is in the book, Corey Taylor [SLIPKNOT, STONE SOUR] is in the book, all talking about how it was to work with me, and I think it's going to be great. I can't wait for people in America to read it. It's going to come out through a company called Jawbone. They're going to distribute the book in America. RockMusicStar: I always wondered about the SEPULTURA thing. I always thought to myself, I mean, I don't know the all the little nuances about the spilt. That's why I'm looking forward to reading your book, but, I always wondered why you didn't just fire everyone from SEPULTURA, keep the name, and find replacements.

New Study Paints Psychological Portrait Of Heavy Metal Fans

A newly published study has found that fans of heavy metal music tend to have higher openness to experience, more negative attitudes toward authority, lower self-esteem, greater need for uniqueness and lower religiosity than those individuals with a preference for other musical genres. 219 women and 195 men ranging in age from 18 to 57 years participated in the study, which examined associations between individual differences and preferences for a specific subgenre of music, namely, contemporary heavy metal. A research team led by psychologist Viren Swami at University Of Westminster in London, England presented the 414 individuals from Britain with clips of 10 tracks of contemporary heavy metal and asked them to rate each for liking (from "extreme dislike" to "extreme like"). Participants also completed measures of the Big Five personality traits, attitudes toward authority, self-esteem, need for uniqueness, and religiosity. The researchers write: "Our results confirm previous reports that openness is associated with a preference for rock and heavy metal, including nonmainstream subgenres. In explanation, it has been suggested that individuals who score highly on openness show a preference for the intensity, variety, complexity, and unconventionality of heavy metal. [It has also been suggested] that individuals who are open-minded and who seek novel experiences may become disinterested in mainstream or conventional musical forms as they grow older. This, in turn, may lead them to seek out musical genres that are unconventional by the standards of mainstream cultures, such as contemporary heavy metal." They add: "Our results also showed that individuals with more negative attitudes toward institutional authority were more likely to show a preference for the heavy metal tracks. In general, this is consistent with [the] description of heavy metal fans as inhabiting a subculture of alienation, which translates into an opposition to authority and mainstream society… It is possible, for example, that heavy metal may conjure referent images that are inherently antiauthority or that signal a revolt against mainstream culture. In this sense, individuals who hold more negative attitudes toward authority may show a preference for heavy metal precisely because it expresses their dissatisfaction with authority. "Respondents who showed a stronger preference for the metal tracks in the present study were also more likely to have lower self-esteem and higher need for uniqueness. In the first instance, it is possible that individuals with relatively low self-esteem are drawn to heavy metal because the style of music allows for a purge of negative feelings. The catharsis afforded by heavy metal may, in turn, help boost self-worth and promote positive self-evaluations among those with otherwise low self-esteem." The entire research paper can be found at the web site of the American Psychological Association.

GEOFF TATE Vs. MICHAEL WILTON: Battle Over QUEENSRŸCHE Name

Tate and his wife, Susan, QUEENSRŸCHE's former manager, filed a lawsuit in June 2012 asking the judge to award them the rights to the band's name in exchange for Tate paying Eddie Jackson (bass), Michael Wilton and Scott Rockenfield (drums) the fair market value for their interests in the QUEENSRŸCHE companies. Wilton, Rockenfield and Jackson filed a countersuit against the Tates in which they accused Geoff of creative obstruction and violent behavior, and Susan Tate of questionable business practices. On Tate's belief that the lawsuit comes down to one thing — money: Tate: "This is all about getting rid of somebody so that there would be more money to split between a fewer amount of people. QUEENSRŸCHE is and was an incredibly successful business entity worldwide. And to completely dismantle it is an act of foolishness." On how the court case will play out in January: Tate: "It's a corporate dispute. And the judge will decide on the value of the brand and the corporation. There's a formula to figure that out. It's not about a moral thing or anything like that. It's just a simple case of dollar exchange." On other members of QUEENSRŸCHE's claim that Tate refused to play much of the band's classic material in concert and was responsible for the ill-fated 2010 Queensrÿche Cabarettour and using outside co-writers, producers and musicians to make the "Operation: Mindcrime II", "American Soldier" and "Dedicated To Chaos" albums: Wilton: "As an artist, as a guitar player, it's not too much fun when your parts are being replaced or you don't even know if they're going to make the CD of the band you've been with for 30 years. It's a little disheartening, to say the least." On Tate's claim that bandmates made little to no effort to participate creatively inQUEENSRŸCHE's projects: Tate: "There was me writing and coming up with directions and ideas and concepts, and then the other guys were contributing performances in the studio. So we had to find other people to work with us in order to make a record and make things happen."

KERRY KING On SLAYER’s Future: It’s Going To Be Business As Usual, Just One Member Less

SLAYER guitarist Kerry King was interviewed on the November 1-3 edition of Full Metal Jackie's nationally syndicated radio show. You can now listen to the chat using the audio player below. A transcript of the question-and-answer session follows. To see a full list of stations carrying the program and when it airs, go toFullMetalJackieRadio.com. Full Metal Jackie: SLAYER, of course, has the North American headlining tour [coming up at the end of October], the band's first in two years. It runs through the end of November. You guys have been touring all summer [in Europe] with Paul [Bostaph, drums] and, of course,Gary Holt [guitar, also of EXODUS]. At what point over the last five months did you know that this lineup of the band was ready to go into the studio, or work on new music? King: Well, realistically, as soon as Paul got with us, I started teaching him new stuff, because I've got probably thirteen, fourteen songs [written for the next record]. So when we didn't have any touring schedule that we had to learn stuff for, I was, like, "Well, let's take this time to get your and my chops up together to work on this new stuff so when the time comes, we'll already have 90 percent of the work under our belt." Full Metal Jackie: Kerry, metal fans around the world were terribly saddened by the death ofJeff Hanneman. Will his style and what he brought to the band continue to influenceSLAYER's legacy even after he's gone? King: I think so, because, I mean, when you play guitar opposite somebody — Jeff with myself or myself with Jeff — I think our styles infused a bit. I think in some of the things I write, I think people are gonna say, "Wow, that sounds like Jeff would have wrote it," and stuff he would have wrote, had he written anymore, people would have said, "Man, that sounds like something Kerry wrote." But, you know, we've been together so long that we kind of infused ourselves into each other. So I think it's going to be business as usual going forward, [but] just one member less, which sucks for everybody. Full Metal Jackie: This is the first full-blown SLAYER headline tour in quite a few years. What are you looking forward to the most about it? King: Yeah, this is the first one in at least six or seven years. Every time we've come through the States, it's either been on [Rockstar Energy Drink] Mayhem [Festival] or on SLAYER / [MARILYN] MANSON tours or SLAYER / MEGADETH tours, so we might have maxed out [with our time on stage] at an hour and five [minutes], an hour and ten [minutes], but on this one, we get to play an hour and thirty [minutes], an hour and thirty-five [minutes], which we haven't been able to do in the States in a very long time. I enjoy doing full headline sets, because if you're the actual last person playing, most people spent their money to come seeyou. So I wanna be able to give them something they're gona remember for the first time in quite a while. Full Metal Jackie: What can we expect from the setlist from the rest of the tour? Will you be debuting any new music prior to releasing it?

ICED EARTH Taps Former SLAYER/TESTAMENT Drummer JON DETTE

For the remainder of ICED EARTH's European tour with VOLBEAT, Jon Dette (SLAYER,TESTAMENT, ANTHRAX) will sit behind the drums, taking over for Raphael Saini, who filled in during the summer festivals, the recording of ICED EARTH's new album, and the club leg of theVOLBEAT tour. "Raphael came in and helped us out of a tight spot this summer with a full schedule of festivals, a new album to finish, and no room for diversion on the schedule," said ICED EARTHin a statement. "He came in and delivered and we are very grateful for that. We wish him all the best for his future endeavours." Added Raphael: "When I had the chance to join ICED EARTH for their summer festivals and the new album, I couldn't say no: I was really excited even though I knew that it was going to be something temporary. "I am honored to be part of the band's history, an amazing album, and to have worked with some supremely talented musicians. My journey will continue, there's more to come." ICED EARTH earlier in the year parted ways with drummer Brent Smedley for "personal family reasons." The second leg of ICED EARTH's tour with VOLBEAT kicks off at O2 World in Berlin, Germany, tomorrow, November 6, and wraps at Forum, Copenhagen, Denmark on December 1. ICED EARTH will release its new album, "Plagues Of Babylon", in January 2014 via Century Media Records. The cover artwork was created and illustrated by Eliran Kantor(TESTAMENT, ATHEIST, SIGH, ANACRUSIS, GWAR).

TESTAMENT’s ALEX SKOLNICK: JEFF HANNEMAN’s Riffs Are ‘All Over’ SLAYER’s Iconic Tunes

Peter Atkinson of Metal-Rules.com recently conducted an interview with guitarist Alex Skolnick of San Francisco Bay Area metallers TESTAMENT. A couple of excerpts from the chat follow below. Metal-Rules.com: The last time you toured with SLAYER, was Jeff Hanneman still with the band? Skolnick: The last time we toured with them, I think it must have been one of the last tours that Jeff did. Of course, no one knew that at the time. He hadn't developed his health issues so Gary [Holt, SLAYER's current touring guitarist] wasn't there yet, he was still going full-time with EXODUS, who we also toured with. You couldn't have known what was going to happen. That was 2010, and it was only 2011 when the "Big Four" shows happened and he [Hanneman] couldn't do those, which was such a shame. Metal-Rules.com: You wrote a very eloquent and well-circulated tribute to Hanneman after his death. TESTAMENT toured with SLAYER many times, but did you really know him that well or was that more to show respect for his talents? Skolnick: I never really knew him well at all. He was very difficult to get to know, actually. And I don't say that disrespectfully. Even close friends of his said it would take a long time to get to know him. Robb Flynn, a friend of ours from MACHINE HEAD, wrote that he'd toured with them, like, eight times and he still felt like he barely knew him. He kept to himself more. I don't think he related to many people — that was just the way he was — but he was a towering presence, no question. I wrote about him more from his reputation, which is tremendous. When you think about the music, the music is great and he is such a part of it. With all due respect to Kerry [King], when you take a look at the iconic SLAYER tunes, it'sHanneman's riffs all over it. Metal-Rules.com: I haven't seen anything about Chuck's [Billy, TESTAMENT singer] health in a long time, so I'm assuming no news is good news there and his health is good. How's the rest of the band holding up, since none of you are kids anymore? Skolnick: Yeah, thankfully, that's worked out really well. Chuck's been much better [after a battle with rare form of cancer in 2001]; he's been in great shape. Everybody in this band, knock on wood, is in relatively good health. I think as time goes on and you realize that you don't have as much free time as you once had, your perspective changes. Fortunately, most of us realize that and take better care of ourselves. I was always a lightweight when it came to alcohol and never really developed a taste for other substances, so I think that worked to my benefit. I was taking care of myself early on, and I would get a lot of funny looks, but it seems like now many people are catching up to me. Metal-Rules.com: TESTAMENT's been pretty busy, especially over the last few years, and just about everyone has at least one other band going on the side — notably Gene [Hoglan, drummer] with DETHKLOK and now, apparently, with DARK ANGEL again. Are you all finding you are able to balance TESTAMENT with the other things you want to do? Skolnick: That's been the toughest, I think, with Gene. I used to be the thorn in the side, with my trio shows and I was doing TRANS-SIBERIAN ORCHESTRA for a long time. I narrowed it down to TESTAMENT, my trio [ALEX SKOLNICK TRIO] and a world music project I'm working on. But I have control over those, so I am able to let the chips fall where they may withTESTAMENT, because usually their shows are booked well in advance. Occasionally, there are some curveballs where we get last-minute things like festivals or something. I'm mostly able to work my activities around the TESTAMENT schedule. Eric [Peterson, TESTAMENT guitarist] and Chuck do their side projects [DRAGONLORD and DUBLIN DEATH PATROL, respectively] so sporadically that it never poses scheduling problems. With Gene, it got a little bit easier when he wasn't playing in FEAR FACTORY anymore, which happened last year. And theDETHKLOK shows are usually booked far in advance, so we can work around those. Occasionally, he'll have to miss a few dates, a friend of ours, Mark Hernandez fromFORBIDDEN, was able to fill in and it worked out. But with all of us, we really feel like the core lineup and we do everything that we can so the fans get to see this lineup. Read the entire interview at Metal-Rules.com.

KREATOR’s MILLE: ‘We Sing About War, Death And Destruction, But We Always Try To Make It Complicated’

Tom Murphy of Denver Westword recently conducted an interview with guitarist/vocalist Mille Petrozza of German thrash metal veterans KREATOR. A couple of excerpts from the chat follow below. Denver Westword: Obviously, KREATOR has explored many different styles and sounds during the course of its existence. You did something a little different in the '90s and went a different direction in the last decade. What do you think you did for "Phantom Antichrist" that you feel has been different from what you've done before? Mille: I think for "Phantom Antichrist", we combined all the styles you just mentioned. We started as a young band with teenage angst, I guess, then we did that early death-metal stuff, and then we did that "Coma Souls"-era [stuff] through the '90s. Then for our album in 2001, "Violent Revolution", we came up with a style that fit the new millennium. Even on"Phantom Antichrist", we took all of that to another level. I wouldn't want to say it's a "mature" album, but it has the energy without being too all over the place. It's 100 percentKREATOR — that's all I have to say. Denver Westword: War, destruction and the end of the world seem to be recurring themes across all of your albums. Why have those been such a rich source of inspiration for you? Mille: It's basically what we do. We've always done it, and we've stuck with it. It's not that there's nothing else to write about. Some of the lyrics are personal, but you can't really figure it out unless you take the time to check the lyrics. On the last album there is a song called"Flood Into Fire" which is not about death or destruction. It's a more personal song. But if you were to ask me the story behind the song, I couldn't even tell you. It's just a certain emotion about loyalty, friendship and whatever. We sing about war, death and destruction, but we always try to make it complicated. We try to put a positive message in there. When things are really, really bad, there can always be a way out of them. For me, the music of KREATORrepresents that. Denver Westword: In the '90s, you experimented more overtly with loops and atmospheres. What did you get out of that period, and have you incorporated it since then? Mille: We don't do that anymore. You know, the thing is, on one record we tried it, and we went so far into it that in order to make the songs sound right on stage, we had to play to a click in a live situation. That, to me, is not what KREATOR is all about. So the loops and the industrial elements were out. I love that style and that way of writing stuff, but KREATOR is pure metal, and we don't like to use a click track in a live situation. It didn't work. Denver Westword: How did you meet Sami Yli-Sirniö, and how would you say he complements what you do in the band? Mille: Sami was living in Germany for a while, and he helped us out at one point, when our old guitar player was sick and couldn't play a couple of shows. So Sami filled in, and when we got rid of the other guy, we felt that Sami would be the perfect fit. We were friends, and he helps me a lot when it comes to writing. I come up with the riffs, and I come up with all of the melodies, but he's the best musician in the band. I would definitely say that. He gives the whole KREATOR-raw-thrash thing a very unique taste, if you know what I mean. He sounds like no one else, and he puts his stamp on the guitar, and he comes up with little things that turn a good song into a great song. That's Sami's contribution to the band. Read the entire interview at Denver Westword.

SLAYER’s KING On Recording HANNEMAN-Penned Material: ‘If It Ain’t Awesome, You’re Not Gonna Hear It’

Revolver magazine recently conducted an interview with SLAYER guitarist Kerry King and drummer Paul Bostaph. You can now watch the chat at RevolverMag.com. A couple of excerpts follow (transcribed by BLABBERMOUTH.NET). On the progress of the songwriting sessions for SLAYER's long-awaited follow-up to 2009's"World Painted Blood": King: "I've been working on stuff for the better part of three years, probably. I did a demo with [now-former SLAYER drummer] Dave [Lombardo] a year ago, [in] March [2012]. We finished two songs that we thought were gonna be out for [the Rockstar Energy Drink]Mayhem [Festival] in 2012, and to this day, they're not mixed. Now [drummer] Paul's [Bostaph] with us, so we're gonna re-record those with Paul. But [Paul] and I have done, like, 11 demos since Paul's been with us. I think there's two or three more that are finished that we've just gotta work on, and there's, like, halves of three others. So we have an abundance of material. We've just gotta sign a deal with whoever is gonna put it out and record it, which I'm really hoping to do in January. And we should be so prepared that it should be a pretty short recording time frame. So my idea [for a possible release date] is May of 2014]. But I'm always wrong." On the possiliby of using material that was originally written by guitarist Jeff Hanneman prior to this death: King: "Jeff had… We both had a song that was left off the last album ['World Painted Blood']. And mine, 'Atrocity Vendor', came out on some obscure single. But I'd like to re-record that with Paul, change the lyrics up a bit, change the leads and have that as a bonus track on the new record. Jeff's song he finished right at the end, so it was kind of like an afterthought. There's some good stuff on it, but good as a whole, it's gotta be reworked, and I plan on reworking it. I know Jeff wanted to rework it, so it's not like he's not here, so I'm gonna change his song. [laughs] I know he talked about rewriting lyrics for it. "It's hard, because once a song is finished, it's hard to hear it any other way. You basically have to deconstruct it and start fresh. The verse will be the verse and the chorus will be the chorus, but all the glue in the middle, you've gotta deconstruct it and see what you can do to make it better. And I planned on working on that one; it's just that I've got a couple I'm working on I wanna finish first. And he's got, I think, two other strong ideas that I don't even think were done, so they're gonna need to be helped as well. "My big thing is, if we're gonna put out something that Jeff wrote, I've seen other musicians and bands [release] music [that was originally written] in the past, and it's generally not good. I don't want it to be perceived like that. If we're gonna put out Jeff's last contribution inSLAYER, if it ain't awesome, you're not gonna hear it. So I wanna make it awesome, so youcan hear it." On SLAYER's current North American tour featuring an "old-school" setlist: King: "Well, we had a really good set made up, and since we were playing two shows in L.A., they wanted something for the night that was added, so I came up with a setlist that's'Seasons In The Abyss' and prior, and once we did it, everybody wanted it. And it's a good time to do it, because we don't have any [new] product, so… I'm, like, well, shit. It's fun to play, it goes by in a minute, it seems like. We just did it last night and played an hour and 25 [minutes], and it seemed like it was, like, 10 minutes. It was just [snaps fingers], bam, done."