Manos Spanos

QUEENSRŸCHE Bassist EDDIE JACKSON Says New Lineup ‘Genuinely Feels Like A Rebirth’

Nottingham Post recently conducted an interview with QUEENSRŸCHE bassist Eddie Jackson. A few excerpts from the chat follow below. On the split with original QUEENSRŸCHE singer Geoff Tate: Jackson: "The three of us got together and once we'd made the decision to continue we started to map out the future. Geoff had been working on solo stuff for a while, so QUEENSRŸCHE had been shelved for a while so we'd been developing a side project called RISING WEST with the three of us, Parker Lundgren [guitar], who was with us for the last couple of albums, and Michael [Wilton, guitar] knew [new vocalist] Todd La Torre through another side project. "When things went the way they did, we decided to return to the QUEENSRŸCHE name." On returning to the band's musical roots following the split with Tate: Jackson: "We always wanted to revisit the older material, even back to our original EP from 1983. But for whatever reasons, we were never allowed to do it. "With the energy we have now, the songs all stand the test of time. It's been fun to go back." On QUEENSRŸCHE's new, self-titled album: Jackson: "For a few years, we haven't felt we've had the chance to express ourselves musically, but on the new album, all five of us contributed equally. "With the first five or six QUEENSRŸCHE albums, the group of us created our own sound and if you bring in a bunch of different musicians, even if the songs are the same, they won't sound the same. "We have our own styles and techniques that make up our sound and I thought that was missing from the last few albums. "With [once again working with producer] Jimbo Barton, this album is a return to our characteristic sound. Lots of fans have commented that the album sounds like it could have been released after [their most successful album in 1990] 'Empire'.

Black Path – Dominion In Pain (EP)

Black Path are a modern Death metal band from Athens, recently releasing their debut EP "Dominion In Pain". The EP kicks in with "Bloodshed" and its Doom/Death intro leading us to a track balancing between Thrashy, old school Death metal tempo and groovy parts with great guitar work (made obvious throughout the record). Then came "Ministry Of Sin" being a strictly groovy track with some blastbeats here and there but purely made to break some necks from headbanging. "Fasten Your Guts" comes up next with a great drum intro to bring some headbanging riffage once more only to go into a groovy chorus reminding me a bit of Decapitated ending with a kick ass breakdown. Another headbanger is "Born Underground" including some eerie melodies in the chorus and great groovy parts. A lead intro leads us to the final track called "Wounds" balancing between groove and blastbeats, an overall atmospheric track compared to the rest of the EP. Black Path delivered a solid Death metal EP showing its updated references without losing the old school Death character. Horns up!

PRIMAL FEAR Films Two New Videos

German power metallers PRIMAL FEAR have finished filming music videos for two new songs from their forthcoming tenth studio album, "Delivering The Black": the first single, "When Death Comes Knocking", plus "King For A Day". The band states: "Great vibe and time — you will love it!" "Delivering The Black" will be released in January 2014 via Frontiers Records. The CD was mixed with Jacob Hansen (VOLBEAT, PRETTY MAIDS, DESTRUCTION) at his Hansen studio in Ribe, Denmark. 12 tracks were recorded during the new album sessions, including "two epic songs, one guitar ballad, and nine crushing metal songs with all the trademarks you know and love to hear from PRIMAL FEAR," according to the band. The effort was engineered by Achim Köhler (EDGUY, MASTERPLAN) and was produced by PRIMAL FEAR bassist Mat Sinner. "Delivering The Black" features a guest appearance by Norwegian singer Liv Kristine Espenaes Krull (LEAVES' EYES, ex-THEATRE OF TRAGEDY) on the song "Born With A Broken Heart". In a recent interview with Jump Metal, PRIMAL FEAR vocalist Ralf Scheepers stated about the musical direction of the band's upcoming album: "It's not so far away [from what we've done in the past], because we have our style, you know. It was hard for us to imagine… because [2012's] 'Unbreakable' was a pretty tough... and really, in our ears, pretty great album, and for us, it was somehow hard to top it. But as soon as we started to write the new songs, and as soon as I heard what Mat and Magnus [Karlsson, guitar] did in the first place — because then they sent me some stuff and I added my ideas on it — I just thought, 'Wow, this is amazing.' And in the end, it really turned out to be a better album than 'Unbreakable'." Frontiers and PRIMAL FEAR in January announced that they have renewed their partnership for another multi-album deal, which will include two more studio releases and one live CD and DVD. PRIMAL FEAR's latest album, "Unbreakable", sold around 600 copies in the United States in its first week of release. The CD landed at position No. 44 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

MOTÖRHEAD: Entire ‘Aftershock’ Album Available For Streaming

MOTÖRHEAD's 21st studio album, "Aftershock", is available for streaming in its entirety using the widget below (courtesy of Yahoo! Music. The release party for "Aftershock" will take place on Friday, October 18 upstairs at the world-famous Rainbow Bar & Grill in West Hollywood, California between 9:00 p.m. and 11:00 p.m Listen to "Aftershock" before it is released on October 22 and enjoy free Rainbow pizza and win MOTÖRHEAD prizes. The first 100 fans get in free to the listening party upstairs. "Aftershock" will be released as a an official Classic Rock collectors fanpack that features the new LP in full plus a 132-page magazine that forms the "ultimate sleevenotes" to the new release, with extensive and exclusive interviews with Lemmy, Mikkey Dee and Phil Campbell. Pre-order your copy now at this location (official on-sale date is October 21). Inside is everything you need to know about "Aftershock" and the world of MOTÖRHEAD in 2013: inside the making of album, new features covering all eras of the band's career from 1975 to 2013, and tons of previously unseen pictures. Fanpack edition includes:

James LaBrie
Imperfect Resonance

Just a little before the released of the new self titled Dream Theater album, the third personal album of their vocalist James LaBrie comes to us as a starter to the main meal and if you were a fan of his other works with Mullmuzzler or his two first albums (‘’Elements Of Persuasion’’ and ‘’Static Impulse’’), then you will surely like ‘’Imperfect Resonance’’. What is very good about his albums is that they differ a lot from his Dream Theater duties, as the material is far more modern, aggressive and experimental, you’ll listen everything here, from mellow moments to crazy blastbeats and from vocal performances filled with warmth and feeling to death growls that will make you think there is an air of insanity during the making of the album and its compositions. Nonetheless, it is a very interesting approach to modern metal music for sure. ‘’Agony’’ is the starting point where you can feel there’s something special with ‘’Imperfect Resonance’’, as it is a fast insanely progressive track with the death grunts of drummer Peter Wildoer taking over from the very start and LaBrie showing his presence where needed. You may wonder why this drummer has taken over so many responsibilities in this album (as well as in the previous ‘’Static Impulse’’). My simple answer is that LaBrie trusts him so much as a musician and as a personality in general, that he leaves him as much room as needed to express himself in the album. His contribution does half the work I dare saying, as his vocals create a diverse contradiction with James, not to mention his out of the world drumming. Don’t forget that Peter was only a step away from joining Dream Theater, before they finaly choose Mike Mangini to replace Mike Portnoy.

Report: Shadow Gallery + Support Acts – Athens, Greece

A band made out of our wildest dreams and two support bands I hadn’t seen in years. Which better reason to attend a gig in a warm October night? Three years after their first phenomenal visit in Greece, Americans progsters Shadow Gallery came back to finish what they had started in 2010. The show was promising from the very beginning with the announcement of the support bands, Greek heavy progsters Wastefall and heavy/power metallers Dark Nova, and having seen Wastefall supporting Black Sabbath in 2005 and Dark Nova playing with bands like Rage and Testament before even the ‘00s decade, I knew what to wait from two of the most important bands of our country which for various reasons, never got the attention and publicity they deserved. Seven minutes after eight o’clock, Wastefall entered the stage and it was a great joy to see nothing changing compared to what I knew. The quartet delivered really heavy progressive metal, mainly based on the marvellous ‘’Soulrain 21’’ album, with touches from their latest internet release ‘’Meridiem’’. Their singer was about to audition for Ark once if I’m not wrong and he showed us all how it is to be able and play great riffs and have a voice that fits the genre. The best thing about this band is that despite being a progressive one, they are even heavier than you can imagine and they are the best possible answer to progsters who sacrifice their heaviness in order to sound more mellow or emotional. Wastefall can sound like everything you want from a modern thinking metal band with a very traditional way of acting on the stage and without forgetting to power it up when needed. I also liked the use of cymbals of their drummer, the guy hit everything and he adds a lot to their sound. I hope they’ll be releasing stuff more often and they won’t miss a second chance given to them to become real leaders in the Greek scene. Dark Nova came out with the air of the experienced band and even if the sound in the first two tracks was burying the heavy riffs somehow, the continuation was much better. They have a bassist that is the epitome of his organ, a seven string monster which looks very much like the eight string guitars Meshuggah are using. Together with the help of the relentless pounding of the drummer, they created a rhythm section many bands would be jealous about. The guitarist was always pulling new riffs from his chest and the lady in the keyboards showed how it must be to have a woman in your band. She was not just standing like a primadonna like many other ladies in bands do, but she was also headbanging while playing, showing a real metal attitude. Last but definitely not least comes the singer who helps the band and delivered a great performance. Highlights of the night were ‘’Twilight Star’’ (from the legendary ‘’Dark Rhapsodies’’ debut), ‘’Temptation’’ from the ‘’1999-A Step Beyond’’ album) and for the end, the ‘’Dark Nova’’ track which is also the title of their latest album. After forty five minutes and with the joy painted on their faces, knowing they had done the best they could and getting the applause of the crowd, they left the stage and we were ready for Shadow Gallery. Time for magic, time for joy, time to forget all our problems, though we suspected it, we didn’t imagine it would be in such a scale. Shadow Gallery made such a performance once again that they make you believe in God, in music’s power around the world and in a better tomorrow in general. If the first time we saw them is marked as most special in our hearts, then this second visit of theirs is simply the establishment of their talent, of the transmission of countless feelings through their music and of their undisputed skill to sound even better than in their six wonderful albums. In a band where every member is a protagonist and three of them switch from guitars, keyboards and singing, then I don’t know what else someone else could expect. When Brian Ashland says ‘’this is our home’’ just at the very beginning of the show, you understand how happy they felt for coming back. When they play ‘’Don’t Ever Cry, Just Remember’’, you get the feeling that Mike Baker is up there, watching proudly his friends getting recognized in front of people amazed with the band’s shine on the stage. When they play ‘’Alaska’’ they remind us that they can offer surprises as well, when they play ‘’Pain’’ you can see why Ashland is a very expressive singer and why their latest album ‘’Digital Ghosts’’ can look the other five albums straight in the eyes. When you know they’re going to celebrate fifteen years from the release of ‘’Tyranny’’ you expect them to unleash hymns like ‘’Stilleto In The Sand’’, ‘’War For Sale’’, ‘’Mystery’’, you even expect the guest D.C. Cooper to give an extra touch to ‘’New World Order’’ or ‘’Christmas Day’’, but you don’t imagine how much of a chemistry there is between them and the Royal Hunt frontman, about ten minutes are enough to witness the difference with his presence and the gig boosting up in colossal levels of musicianship, like watching the greatest theater performing flawlessly in front of you, like seeing something of the Savatage magic in their music (the show started with ‘’Bohemian Rhapsody’’ of Queen on the speakers, like Savatage did with other Queen tracks), you don’t expect they’ll give you a die-hard moment like ‘’2 Minutes To Midnight’’ of Iron Maiden played in a furious way (I wish Iron Maiden could sound even a bit like this today…) and when the gig closes with ‘’Gold Dust’’ with Ashland singing among the crowd and ‘’Crystalline Dream’’, you simply realize that all you lived for more than two hours was reality and not a dream. They thank the crowd collectively, though the crowd should spend years in thanking them for what they offer. You see the joy in their faces and they see the tears in the faces of many fans. The relationship between Shadow Gallery and the Greek fans can’t even be compared with the movie made loves at first sight (include first listening as well). This night we forgot about problems, thoughts, internal conflicts, crisis and needless argues between us. This night we were free to feel happy again, like we did five, ten, fifteen years ago with such incidents. This night was added to one of the best in our entire lives until we close our eyes. There’s nothing more precious than this. Thank you Shadow Gallery for making this all happen and for letting us understand that this better second time you came here was the reason to realize that the first time was really true and not just a thought in our minds. I bet a fortune that it’s going to be a day set for many people to re-arrange their lives and think of many stuff from the beginning. Food for positive thought definitely!

MOTÖRHEAD: Audio Samples Of Entire ‘Aftershock’ Album

Audio samples of all the songs that will appear on MOTÖRHEAD's 21st studio album,"Aftershock", are available for streaming on the web site of the German music retailer JPC.de. The release party for "Aftershock" will take place on Friday, October 18 upstairs at the world-famous Rainbow Bar & Grill in West Hollywood, California between 9:00 p.m. and 11:00 p.m Listen to "Aftershock" before it is released on October 22 and enjoy free Rainbow pizza and win MOTÖRHEAD prizes. The first 100 fans get in free to the listening party upstairs. "Aftershock" will be released as a an official Classic Rock collectors fanpack that features the new LP in full plus a 132-page magazine that forms the "ultimate sleevenotes" to the new release, with extensive and exclusive interviews with Lemmy, Mikkey Dee and Phil Campbell. Pre-order your copy now at this location (official on-sale date is October 21). Inside is everything you need to know about "Aftershock" and the world of MOTÖRHEAD in 2013: inside the making of album, new features covering all eras of the band's career from 1975 to 2013, and tons of previously unseen pictures. Fanpack edition includes: * New album "Aftershock" * 132-page magazine * Giant double-sided poster * Exclusive MOTÖRHEAD car sticker "Aftershock" track listing: 01. Heartbreaker 02. Coup De Grace 03. Lost Woman Blues 04. End Of Time 05. Do You Believe 06. Death Machine 07. Dust And Glass 08. Going To Mexico 09. Silence When You Speak To Me 10. Crying Shame 11. Queen Of The Damned 12. Knife 13. Keep Your Powder Dry 14. Paralyzed Due in North America on October 22, "Aftershock" was recorded at NRG Studios in North Hollywood, California and is described in a press release as "a true leveler, a crushing confirmation of everything MOTÖRHEAD stands for, marching from the dust storm to deliver 14 belting statements which see MOTÖRHEAD in perhaps their best writing form for years. There's swagger, there's punch, there's speed and there’s dirty filthy grooves, Lemmy Kilmister, Phil Campbell and Mikkey Dee showing clearly that MOTÖRHEAD is not simply a band, it's a genre!"

Manos Spanos

Manos Spanos (Metalpaths' co-editor-in-chief), eight years in this site but still can't be characterised as a metalhead.